Snuff boxes are small, decorative containers used to store and carry powdered tobacco, known as snuff. The use of snuff dates back to the 16th century, and the popularity of snuff boxes grew along with the popularity of snuff itself.
Some of the European countries where snuff-taking was popular include:
• France: Snuff-taking was particularly popular in France during the 18th century. The French royal court was known for its elaborate snuff boxes and the habit was popular among the French aristocracy.
• England: Snuff-taking was introduced to England in the 17th century and quickly
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became popular among the upper classes. Many English gentlemen carried snuff boxes and the habit was seen as a sign of good manners and social status.
• Germany: Snuff-taking was popular in Germany during the 18th and 19th centuries, particularly among the aristocracy.
• Spain: Snuff-taking was popular in Spain in the 18th century and was often used by the Spanish aristocracy as a way to display their wealth and status.
In the Americas, snuff-taking was introduced by European colonizers and became popular among both the European and indigenous populations. Snuff-taking remained popular in many countries throughout the Americas well into the 20th century.
Snuff boxes were originally made of wood, horn, or other simple materials. However, as snuff-taking became more fashionable among the wealthy, snuff boxes became more elaborate and luxurious, often made of gold, silver, ivory, or other precious materials, and decorated with intricate engravings or enamel work.
Other materials that were commonly used to make snuff boxes include:
• Enamel: Enamel was a popular material for snuff boxes during the 18th and 19th centuries. It was used to create colorful and intricate designs on the boxes.
• Mother of pearl: Mother of pearl was often used to decorate snuff boxes. It was prized for its iridescence and was often inlaid into the surface of the box.
• Gemstones: Precious and semi-precious stones such as diamonds, rubies, and emeralds were sometimes used to decorate snuff boxes.
• Leather: Leather was used to make more casual snuff boxes, particularly those designed for travel.
• Porcelain: Porcelain snuff boxes were made in China and other countries and were often decorated with intricate designs.
Overall, the materials used to make snuff boxes varied depending on the era and the social status of the owner. More luxurious and expensive materials were used to create snuff boxes for the upper classes, while simpler materials were used for more utilitarian boxes.
Snuff boxes also became status symbols, and were often given as gifts or used to display wealth and social standing. They were particularly popular in Europe in the 18th and 19th centuries, and many notable figures of the time, including royalty and politicians, were known to collect and use snuff boxes.
Although the use of snuff declined in popularity in the 20th century, snuff boxes remain popular among collectors of antique and vintage items. They offer a glimpse into the social and cultural history of the time, and the craftsmanship and decorative work of many snuff boxes make them highly sought-after collector's items.
Snuff boxes are still made and used by some snuff enthusiasts, but they are primarily collected for their historical and aesthetic value.
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A substance made by combining mashed paper with glue and other hardening agents, so that, when dry, it can be cut, shaped and even carved. Invented in the 18th century, papier mache was at first used for small items such as snuffboxes and fans. With an improvement in techniques, it was used in the second quarter of the 19th century for a variety of household furnishings chairs, small tables, fire screens, coal scuttles, trays, inkstands and so on. It was frequently gilded and painted with flowers, fruits and rather sentimental scenes, and commonly inset with mother-of-pearl to achieve
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a jewelled effect. Given the apparently flimsy nature of the material, it is surprising just how many papier mache pieces have survived.
The best known manufacturer of papier mache was the Birmingham and London firm of Jennens and Bettridge, whose name is stamped on the underside of items manufactured by them.
Because most papier mache furniture was finished in the currently unfashionable colour of black, its popularity and consequently is value has been constrained. If the finish is scuffed, the painted decoration worn or the edges damaged, the value is further decreased
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