19th century Coalbrookdale cast iron garden furniture
The Coalbrookdale Company was founded in 1709 by Abraham Darby, who was originally involved in the making of brass pots and began experiments in 1707 that finally led to the patent for casting iron bellied pots in dry sand and in particular, to the art of casting them in thin section.
He leased a furnace at Coalbrookdale, and from there the company expanded rapidly to meet demand for its castings and forgings. Additonal furnaces were established locally and in surrounding towns, and by about 1750 the company was the largest in England.
Coalbrookdale had a growing reputation among engineers, and
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by 1778 the Company had cast more than 100 steam cylinders and many complete engines, including Boulton and Watt engines, under licence.
At this time the company commenced building the world's first cast iron bridge, completed in 1781, and which gained Abraham Darby III (grandson of the founder) the Gold Medal of the Society of Arts in 1790.
In the 1840s, the company was in the hands of Francis Darby, the son of Abraham Darby III, and it began developing lines of decorative furniture. Due to the strength and resistance to rust when painted, cast iron was an ideal material for outdoor furniture and decorative items.
Once the moulds had been manufactured, it could mass produced, making it more economical than wrought iron furniture which had to be individually made.
Coalbrookdale furniture was designed in a variety of styles, in line with that of furniture fashions of the times, including Gothic Revival, Renaissance Revival, Rococo. Ornate and often lavishly detailed decoration of fruit, vines, ferns, leaves, and floral motifs were especially popular.
Garden seats are amongst the firm's most best-known items, either with wooden or cast iron seat slats.
Coalbrookdale items made during the 19th-century usually have a cast indented 'Coalbrookdale' or 'C-B Dale Co.' and often a date lozenge, a kite or diamond shaped mark indicating the year the design (for that item) was registered. Often these markings are difficult to make out due to the build up of successive layers of paint over the years.
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The Coalbrookdale Company was founded in 1709 by Abraham Darby, who was originally involved in the making of brass pots and began experiments in 1707 that finally led to the patent for casting iron bellied pots in dry sand and in particular, to the art of casting them in thin section.
He leased a furnace at Coalbrookdale, Shropshire and from there the company expanded rapidly to meet demand for its castings and forgings. Additonal furnaces were established locally and in surrounding towns, and by about 1750 the company was the largest in England.
Coalbrookdale had a growing reputation among engineers,
more...
and by 1778 the Company had cast more than 100 steam cylinders and many complete engines, including Boulton and Watt engines, under licence.
At this time the company commenced building the world's first cast iron bridge, completed in 1781, and which gained Abraham Darby III (grandson of the founder) the Gold Medal of the Society of Arts in 1790.
In the 1840s, the company was in the hands of Francis Darby, the son of Abraham Darby III, and it began developing lines of decorative furniture. Due to the strength and resistance to rust when painted, cast iron was an ideal material for outdoor furniture and decorative items.
Once the moulds had been manufactured, it could mass produced, making it more economical than wrought iron furniture which had to be individually made.
Coalbrookdale furniture was designed in a variety of styles, in line with that of furniture fashions of the times, including Gothic Revival, Renaissance Revival, Rococo. Ornate and often lavishly detailed decoration of fruit, vines, ferns, leaves, and floral motifs were especially popular.
Garden seats are amongst the firm's most best-known items, either with wooden or cast iron seat slats.
Coalbrookdale items made during the 19th-century usually have a cast indented 'Coalbrookdale' or 'C-B Dale Co.' and often a date lozenge, a kite or diamond shaped mark indicating the year the design (for that item) was registered. Often these markings are difficult to make out due to the build up of successive layers of paint over the years.
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Cast iron is produced by heating iron with a high carbon content until it liquefies, and then casting the iron into moulds of compressed sand.
Cast iron was invented in China in the 5th century BC and poured into moulds to make ploughshares and pots as well as weapons and pagodas. Although steel had been invented, was in use, and was more desirable, cast iron was cheaper and thus was more commonly used for warfare in ancient China.
In the west, cast iron did not become available until the 15th century, and its earliest uses included cannon and shot, and
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later, cast iron cannons, which, while heavier than the existing bronze cannons, were much cheaper to manufacture and enabled more to be produced..
Cast iron pots were made at many English blast furnaces from about the 17th century. In 1707, Abraham Darby patented a method of making pots and kettles thinner and thus cheaper than his rivals could. This meant that his Coalbrookdale furnaces became dominant as suppliers of pots, an activity in which they were joined in the 1720s and 1730s by a small number of other coke-fired blast furnaces.
The ability to manufacture lighter items led to the popularity of cast iron for furniture and garden decoration during the 19th century, of which the Coalbrookdale company was the leading exponent.
Wrought iron became very popular again in the 1920s during the Art Deco period, and its uses included chairs, firescreens, decorative lamps and legs for tables.
Wrought iron differs from cast iron in that articles made from it cannot be mass produced. Each piece must be individually made (wrought) using a hammer on an anvil and a blacksmith's forge.
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Coalport porcelain was first produced in 1795 by John Rose, who established a porcelain factory in Coalport, Shropshire, England. The company quickly gained a reputation for producing high-quality porcelain with intricate designs and fine craftsmanship. In 1814, the Coalport factory was purchased by William Pountney, who expanded the business and increased production. During the 19th century, Coalport porcelain was highly sought after and exported to many countries. The company continued to produce porcelain chaning hands a number ot times, before it became part of the Wedgwood group in 1967.
Coalbrookdale porcelain, on the other hand, was produced by the
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Coalbrookdale Company, which was located in Coalbrookdale about 6 km from Coalport. The company was founded in 1795, the same year as Coalport porcelain. Coalbrookdale porcelain was known for its fine figurines and other decorative items, and the company was particularly noted for its high-quality casting techniques. The Coalbrookdale Company was active until the 1850s, when the company went out of business.
Both Coalport and Coalbrookdale porcelain are considered valuable by collectors
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A Colebrookdale design green-painted cast-iron garden seat, Provenance: The Collection of John Williams Sydney Sold Christies Sydney. Dimensions: 130 cm wide 44 cm deep 82 cm high
A 20th century Coalbrookdale style cast iron wrap around tree bench, the base of four fitted sections supported by eight legs, the centre decorated with trailing grape vines. 150 x 88 cm. (requires attention).
A Victorian Coalbrookdale cast iron outdoor table, mid 19th century, the pierced table with undertier and Queen Victoria portrait profile medallions, impressed 'Coalbrookdale', with registration number to the inner skirt, 72 cm high, 60 cm diameter
A Victorian Coalbrookdale painted cast iron bench, 19th century, in Nasturtium Pattern introduced in 1875, stamped 'Coalbrookdale', 92 cm high, 180 cm wide, 67 cm deep
Two Victorian Coalbrookdale cast iron garden chairs, 19th century, serpent and Grape' pattern, painted red and dark green, with wooden slatted seats and backs, the end supports with dog head terminals on the arm rests, above scrolling snakes, stamped (2)…
Victorian Coalbrookdale cast iron garden set, 19th century, serpent and Grape' pattern, painted black, comprising a table and two benches, the benches with wooden slatted seats and backs, the end supports with dog head terminals on the arm rests, above…
A three-piece green cast iron garden set, early 20th century, the cast iron Coalbrookdale style garden set including two chairs and one table, with green paint patina, height 65 cm, diameter 65 cm (table)
Victorian cast iron garden bench, Coalbrookdale foundry, second half 19th century, 'Nasturtium' pattern, painted white with later wooden slate seat, stamped 'C.B.Dale' and numbered, with diamond patent marks, restored, height 100 cm width 186 cm depth 66…
Victorian cast iron garden bench, Coalbrookdale foundry, second half 19th century, 'Horse Chestnut' pattern, painted black with later wooden slate seat, stamped 'Coalbrookdale' and numbered, with diamond patent marks, height 85 cm width 180 cm depth 60 cm…
Victorian Coalbrookdale outdoor suite late 19th century fern pattern, black painted cast iron with wooden slats, comprising a bench and a pair of armchairs (3), height 86 cm, width 150 cm, depth 60 cm, (bench); height 91 cm, (chair). Provenance: Private…
Coalbrookdale style green painted cast iron garden table, early 20th century, in the manner of Christopher Dresser, the rectangular white stone top above two cast supports joined by stretches, height 80 cm, width 122 cm, depth 51 cm. Provenance: The…
Attributed to Coalbrookdale, green painted cast iron garden bench, early 20th century, 'Oak Leaf' pattern, arms terminating in hound's heads, wooden slats, one slat (A/F), height 100 cm, width 150 cm, depth 82 cm. Provenance: The Estate of Judith Hoyle,…
Coalbrookdale style green painted cast iron garden bench, early 20th century, 'Fern' pattern, wooden slats, together with matching armchair (2), height 91 cm, width 183 cm, depth 56 cm, height 89 cm, (chair). Provenance: The Estate of Judith Hoyle,…
Victorian cast iron garden chairs, Coalbrookdale foundry, second half 19th century, 'Lily of the Valley' pattern, seats and backs cast with flowers and leaves, reverses stamped with registration kite marks and numbered (2), height 86 cm. Provenance: The…
Coalbrookdale bench cast iron circa 1860, strong Indian influenced design, three arch painted white, with new slats, height 100 cm, length 172 cm, depth 65 cm
A Coalbrookdale cast iron two seater garden bench, fern and blackberry pattern, stamped 'C.B.Dale & Co.' with a registration mark. Circa 1870. Width 108 cm
Coalbrookdale garden seat mid 19th century, c1860, English, cast iron, rustic, faux Bois an vine design, original spiral Struts, design No.78766, height 88 cm, length 128 cm, depth 61 cm
A Coalbrookdale Fern pattern garden seat, cast iron and timber, English, 19th century, stamped 'Coalbrookdale' on the front iron rail, 184 cm across the arms
A decorative Victorian cast iron garden bench seat in the manner of Coalbrookdale, the back panel with a hunting dog amongst ferns and florals and an oval panel flanked by two further floral decorated panels, bird decorated arms, curving five panel wood…
A Victorian Coalbrookdale 'Serpent and Grapes' pattern cast iron garden seat, each end cast with a dog's head terminal to the armrest above a support of an entwined serpent and fruiting grape vine, the ends now painted green, the design number 17597 and…
A pair of Coalbrookdale cast iron hall chairs designed by Christopher Dresser c.1870 in the 'Lily' pattern, the decorative backs with a combination of fluted, fan and wrythen forms, conforming base, the cast iron seats with enamelled dark red brown button…
A pair of white painted Coalbrookdale style rectangular marble topped wrought iron tables and a set of twelve armchairs, 20th century, the tables each 72 cm high, 122 x 96 cm
A suite of Victorian cast iron fern & Blackberry furniture, probably Coalbrookdale foundry, comprising, bench and two chairs, Victorian lozenge registration mark to the back of the bench and fain mark to front bar, (3). Provenance: The collection of…
A Victorian cast iron bench by Coalbrookdale, in a rare 'Medallion design', with cast back depicting allegorical figures in oval plaques, with mask to crest, marked Coalbrookdale to front and with lozenge mark and 5F to the back
Pair of Victorian painted cast iron garden chairs. Possibly Coalbrookdale, each with pierced decoration to the back and seat, the round back decorated with a central medallion depicting a peasant, raised on richly cast cabriole legs surmounted by…
An early 20th century cast iron Park bench stamped Coalbrookdale, with wooden slats, the back and sides cast with a trellis of Nasturtium leaves, 177.5 cm wide
Coalbrookdale 'Nasturtium' pattern, pair of cast iron garden seats, stamped C.B.Dale Co No.195629 and with diamond design patent registration stamp beneath the central cresting at the front, further stamped No. 44 beneath, and with Coalbrookdale stamped…
A pair of cast iron garden seats attributed to Coalbrookdale, each with a medallion back, cast with a representation of the seasons summer and spring respectively
A cast iron framed garden bench attributed to Coalbrookdale, the back cast with four medallions depicting figural representations of the four seasons, within a pierced foliate cast surround, 184 cm wide
A Victorian cast-iron English Coalbrookdale conservatory table. Circular form, with an inset marble top within foliate decoration, on a foliate decorated column, with a flared base. 77 cm high, 59 cm wide.