The collection of New Guinea tribal artifacts began in the late 19th century during the period of European colonialism and exploration of the region. Many early collectors were anthropologists, missionaries, or colonial administrators who were interested in documenting the diverse cultures and societies of the region.
The first known collector of New Guinea tribal artifacts was Sir William MacGregor, the Governor of British New Guinea from 1895 to 1898. MacGregor was an avid collector of artifacts and ethnographic objects, and he acquired a large collection of New Guinea tribal artifacts during his time in the region. He was followed by other collectors, including the American anthropologist Margaret Mead, who conducted extensive fieldwork in the region in the early 20th century and amassed a significant collection of artifacts.
During the early 20th century, many New Guinea tribal artifacts were acquired by museums and private collectors in Europe and North America. These
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artifacts were often obtained through a combination of purchase, trade, and sometimes through questionable means such as theft or exploitation of indigenous communities. Some examples of New Guinea tribal artifacts that are commonly collected include:
• Masks - New Guinea is known for its elaborate and highly decorative masks, which are used in ceremonial and religious contexts.
• Carvings - carved figures and sculptures, often depicting ancestral or spiritual beings, are popular New Guinea tribal artifacts.
• Weapons - spears, bows and arrows, and other weapons used in traditional hunting and warfare are often collected.
• Textiles - woven fabrics and other textiles, often decorated with intricate designs and patterns, are highly valued as tribal artifacts.
• Musical instruments - New Guinea is home to a variety of unique musical instruments, including drums, flutes, and stringed instruments.
• Ceremonial objects - ritual objects, such as amulets, charms, and offerings, are often collected for their spiritual and cultural significance.
• Jewellery and adornments - New Guinea tribes often use intricate and decorative jewelry and body adornments as a form of personal expression and cultural identity.
In the decades that followed, there was growing concern among indigenous communities and advocates for cultural heritage preservation about the removal and exploitation of tribal artifacts. Many indigenous communities in New Guinea and other parts of the world began advocating for the return of cultural artifacts that had been taken from their communities.
In recent years, there has been a growing movement towards repatriation and restitution of cultural artifacts to their countries of origin, including New Guinea. This has led to the return of many New Guinea tribal artifacts to their communities, as well as increased efforts to document and preserve these artifacts within their cultural and historical contexts.
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