Paperweights, used to hold down papers, and most commonly made in glass, evolved in Venice in the early nineteenth century, and spread to France via Bohemia about 1845, where the finest examples were produced by three factories: Baccarat, Clichy and St Louis. Examples from these manufacturers are mostly unmarked and widely faked and imitated and thus a minefield for the uninitiated. The most popular motif is millefiori ('thousand flowers'), though fruit, single flowers, insects, and other small objects are often used as well as portraits and view. The cheaper paperweights use air bubbles as decoration. The classic paperweights are round
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and domed, but lesser weights were also made in the form of pyramids and rectangles. The early period of paperweights is reckoned to have ended in 1870 but some 20th century manufacturers such as Lalique, Kosta Boda, Whitefriars and Caithness Glass have produced some fine examples. The great majority of paper weights are unmarked, and glass rarely shows its age.
Paperweights are also made in gold, silver, silver plate, hardstone, amber, ceramic, ivory, timber and other materials.
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The history of Venetian and Murano glass dates back over 1,000 years. Venice was an important center for glassmaking in the Middle Ages, and by the 13th century, the city had established itself as the leading producer of glass in Europe.
During the Renaissance, the art of Venetian glassmaking reached its peak, with artisans producing some of the most exquisite glassware in the world. One of the most important innovations of this time was the development of cristallo, a type of clear glass that was almost as transparent as crystal. Cristallo was prized for its clarity and brilliance, and
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it quickly became a symbol of wealth and luxury.
In the 16th century, Venetian glassmakers faced a challenge when the city passed a law requiring all glass furnaces to be moved to the island of Murano. The law was passed in response to the risk of fire, which was high due to the wooden buildings in Venice. Despite the inconvenience of having to move their furnaces, Venetian glassmakers continued to thrive on Murano and continued to innovate.
During the 17th and 18th centuries, Murano glassmakers developed new techniques, such as filigrana, which involved creating delicate, twisted glass threads, and zanfirico, which involved weaving together threads of colored glass. These techniques were used to create intricate patterns and designs, and they remain some of the most iconic styles of Venetian and Murano glass.
In the 19th century, Murano glass experienced a decline due to competition from other countries, such as France and England, which were producing cheaper glassware. However, in the early 20th century, a revival of Murano glass began, due in part to the efforts of artist and designer Vittorio Zecchin, who worked to modernize and streamline the production of Murano glass.
After World War II, Murano glass experienced a resurgence in popularity, with artists and designers from around the world flocking to Murano to learn from the masters of the craft. Murano glass is still produced using traditional techniques, with artisans using a combination of heat, blowing, and moulding to create exquisite pieces of glassware.
One of the most famous types of Murano glass is Venetian millefiori, which involves creating intricate patterns by fusing together small, colored glass rods. The process is time-consuming and requires great skill, but the resulting pieces are breathtakingly beautiful.
Another product from Murano glass are Venetian glass chandeliers. These magnificent pieces are made by combining hundreds or even thousands of individual glass pieces to create a stunning, multi-tiered chandelier. Venetian glass chandeliers are prized for their beauty and elegance, and they remain one of the most iconic examples of Murano glass.
Murano glass remains an important part of Venetian culture and history. Visitors to the island can tour the various glass factories and watch as artisans create intricate pieces of glassware by hand.
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