In the early 19th century etiquette dictated that upper class ladies and gentlemen should carry a visiting card, also known as a calling card, being a small paper card, about the size of present day business cards, printed with the individual's details, and often bearing an artistic design.
In 19th century England, the caller or the footmen accompanying the caller (if he or she was very important) would deliver the visiting cards to the servants of their prospective hosts, introducing the arrival of the card bearer.
Card cases solely for the purpose of holding visiting cards were introduced at
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this time and etiquette dictated that ladies should always carry their cards in a card case, although it was acceptable for a gentleman to carry his cards in the breast pocket of his jacket.
Reflecting the fact that card cases were mainly used by ladies, the designs were feminine in nature.
The early card cases were made of silver and leather with fine gilt tooling. The earliest French cases, c1760, were made of gold, silver and enamel, sometimes with ivory panels or beadwork. Eventually they were made in a variety of materials, including silver, gold, ivory, enamel, mother of pearl and tortoiseshell.
With the advent of popular tourism in the 19th century, card cases were made to depict places of interest and examples include silver castle-top cases, Scottish Mauchline ware and tartan ware and, from Ireland, Killarney ware.
Among silver card cases, castle-tops are the most valuable, with versions of Windsor, Warwick, Kenilworth and Abbotsford popular. Rare examples fetch much higher prices.
The most prolific makers of silver card cases were Nathaniel Mills, Yapp & Woodward and Taylor & Perry.
Most card cases had a lid that was hinged to one side, but there were a variety of other opening methods.
The use of visiting cards declined at the end of the 19th century, reducing demand for and consequently the production of card cases.
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Ivory is a hard, white material obtained from the tusks of elephants, walruses, narwhals, and other animals. It has been prized for centuries for its beauty, durability, and rarity, and has been used extensively in decorative arts in Western and Oriental cultures from the 18th to the 20th centuries.
In Western cultures during the 18th to 20th centuries, ivory continued to be a popular material for creating decorative objects. A few examples of ivory objects from Western cultures during this time period include:
• toiletry necessaire: A set of toiletry items made of ivory, late 19th century.
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;ivory chess set: A set of intricately carved ivory chess pieces, created in the 18th century.
• ivory cane: A walking cane with an ivory handle, often carved with intricate designs or figurines.
In Oriental cultures, ivory continued to be used for decorative arts during the 18th to 20th centuries. Just a few examples of ivory objects from Oriental cultures during this time period include:
• Japanese okimono: A small ivory figurine depicting scenes from everyday life in Japan.
• Chinese ivory puzzle ball: A series of carved, nested spheres made of ivory, often featuring intricate carvings and designs.
• Cantonese ivory chess set: A set of intricately carved ivory chess pieces made in the 19th century in Canton, China.
It is important to note that the use of ivory in decorative arts has been controversial due to the impact on elephant populations. Many countries have implemented restrictions on the trade of ivory in order to protect endangered elephant populations. For example, in the United States, it is illegal to import, export, buy, or sell elephant ivory with limited exceptions for antiques and certain musical instruments. The European Union has also banned the trade in ivory within its member states, with exceptions for some antique items. The restrictions on the trade of ivory aim to protect endangered elephant populations and prevent illegal poaching and trafficking of ivory.
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