Kerosene lamps from the 19th century represent a significant development in lighting technology and played a crucial role in illuminating homes, businesses, and streets during that era. Kerosene is also known as liquid paraffin.
Prior to the introduction of kerosene lamps, lighting options were limited to candles, oil lamps, or gas lamps. Candles were the most common source of light, but they were expensive, produced limited illumination, and posed a significant fire hazard. Oil lamps, fueled by various vegetable oils, were an improvement over candles, but they were still prone to smoke, odor, and the risk of fire. The arrival
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of kerosene lamps in the mid-19th century marked a turning point in lighting technology.
Kerosene, a flammable hydrocarbon liquid derived from petroleum, became a popular fuel for lamps due to its clean-burning properties and relatively low cost. Kerosene lamps were more efficient and produced a brighter, steadier light compared to previous oil lamps. The introduction of kerosene lamps also coincided with advancements in lamp design, with manufacturers producing a wide range of styles and sizes to suit different needs and preferences.
The design of 19th-century kerosene lamps varied, but they typically consisted of a reservoir for holding the kerosene, a burner, and a chimney to direct the light and protect the flame. The reservoir could be made of glass, metal, or ceramic, and it often featured ornate decorations or patterns to enhance the lamp's aesthetic appeal. The burner incorporated a wick that drew kerosene from the reservoir and allowed it to burn, while the chimney helped to stabilize the flame and reduce the risk of accidents.
The introduction of kerosene lamps had a transformative effect on society. They brought illumination to areas that were previously in darkness, making it easier and safer to perform tasks, study, and socialize after sunset. The availability of affordable and reliable lighting had a profound impact on productivity, allowing people to extend their working hours and engage in various activities during the evenings.
Kerosene lamps were widely used in both urban and rural areas throughout the 19th century. They were particularly beneficial in areas without access to gas lighting or electricity, and they remained popular even after the introduction of electric lighting in the late 19th century. Kerosene lamps were commonly found in homes, businesses, and public spaces, including streets and outdoor areas.
However, the use of kerosene lamps was not without its drawbacks. The lamps required regular maintenance, including cleaning the wicks, replenishing the fuel, and ensuring proper ventilation to prevent the accumulation of fumes. Accidents, such as lamp explosions or fires, were also a risk if the lamps were mishandled or not properly maintained.
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Among the most popular of the English porcelain factories among collectors is Royal Worcester. The Worcester porcelain company was founded in 1751.
The First Period of Worcester (1751-76) is sometimes called the Dr. Wall period after John Wall, one of the founders and major shareholders. During this period, Worcester was using the formula for soft paste porcelain which was obtained when they took over Lund's Bristol Porcelain works in 1752.
Worcester also introduced the use of transfer printing on porcelain in 1757, which reduced the need for hand painting which was time consuming and expensive.
In 1783 Thomas
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Flight purchased the factory for his sons Joseph & John. This period led to a change in the porcelain paste used, achieving a much better, whiter body. The style of decoration during this period became much more neoclassical in style.
In 1793 Martin Barr became a partner in the firm. As the partnership changed so did the names, Barr, Flight, Barr (1807-13), Flight Barr, Barr (1813-40).
In 1840 Worcester amalgamated with the Chamberlains' factory, also located at Worcester, but still producing from both works. Worcester eventually moved its entire operations into the more up to date Chamberlain's factory in 1847, becoming known as Chamberlain's Worcester. In 1852 W.H. Kerr joined the firm, which was renamed Kerr & Binns.
In 1862, it was renamed the Royal Worcester Porcelain Company, and more everyday works were produced.
In 1976 the company merged with Spode and the company reduced its staff from 2003 to 2005, with the company going into administration in 2008 and then ceasing trading in 2009. The trading name and brands (including Spode), but not the factories in Stoke-on-Trent, were acquired by Portmeiron Pottery Group.
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