The Régence style of French furniture emerged during the early 18th century, spanning roughly from 1715 to 1730. This transitional style bridged the gap between the preceding Louis XIV style and the subsequent Rococo style of Louis XV, incorporating elements of both while also introducing new design characteristics.
The Régence style is characterized by its lighter and more fluid forms compared to the robust and heavy furniture of the Louis XIV era. It exhibits a sense of grace, refinement, and a departure from the strict symmetry that defined the earlier style. The design elements of the Régence style were influenced
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by a growing interest in the decorative arts, Oriental influences, and a desire for more intimate and comfortable interiors.
Chairs in the Régence style often feature curved backs and cabriole legs, which are elegantly carved and terminate in scrolled feet. The seats are padded and typically upholstered with rich fabrics, such as silk or velvet. The backs of the chairs may showcase intricate carving or openwork, often depicting foliage or shell motifs. The armrests are gracefully shaped and sometimes adorned with acanthus leaf motifs.
Tables in the Régence style can vary in shape, including rectangular, round, or oval forms. They often feature slender, curvaceous legs, sometimes with carved decorations such as scrolls or acanthus leaves. The tabletops may be adorned with marquetry or parquetry, showcasing intricate patterns or scenes. Exotic woods, such as rosewood or kingwood, were commonly used in the construction of Régence furniture.
Chests of drawers and commodes in the Régence style often have curved or serpentine fronts, imparting a sense of movement and elegance. They feature delicate and finely executed carving, with motifs such as acanthus leaves, flowers, or shell designs. The hardware, including drawer pulls and escutcheons, is typically ornamental and may incorporate motifs such as foliage or mythical creatures.
Mirrors in the Régence style are typically tall and narrow, with elegant and sinuous frames. The frames may be adorned with carved decorations, such as scrolls, shells, or foliage motifs. The mirrors themselves are often divided into sections, creating an interesting visual effect.
The Régence style incorporates a light and playful color palette. Soft pastel shades, such as pale blues, pinks, greens, and creams, are commonly used in upholstery and decorative elements. Gilding is also prevalent in Régence furniture, adding a touch of luxury and enhancing the overall elegance of the pieces.
The Régence style represents a transitional period in French furniture design, blending elements of the preceding Louis XIV style with the emerging Rococo aesthetic. Its graceful curves, refined carving, and lighter forms reflect a shift towards more intimate and comfortable interiors. The Régence style continues to be appreciated for its elegance, charm, and its influence on the subsequent development of French furniture design.
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Until the mid-19th century, the standard chest had either four long, or three long and two short drawers. Rarely were there any exceptions to this rule. A chest with three drawers, or a series of small upper drawers, purporting to be Georgian, will probably have been converted from a chest-on-chest or tallboy. It is true that the 18th century commode often contain two long deep drawers, but this was a much grander and more decorative piece altogether, intended for drawing rooms, not bedrooms, and in any case was usually made to stand on legs. The standard chest
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of drawers continued to be made throughout the 19th and early 20th centuries (some Edwardian pine chests even had bracket feet), but variations were introduced during the mid-Victorian period, with some chests having seven or more drawers usually a deep hat drawer and smaller glove compartments. Chests with barley-sugar twist or split bobbin-turned supports date from the mid-19th century.
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