Sydney Scenes: 19th Century Coloured Engravings
Four 19th century coloured engravings, all depicting Sydney scenes, 17 cm x 26 cm (largest)
Hand-Coloured Lithograph by S. Chompre
S. Chompre hand coloured lithograph SLR & SLL 439/500 approx 51 cm x 40 cm
Antique Engravings from Early 1900s
Two engravings circa early 1900's, each approx 29 cm x 31 cm (2)
Toorak Residence, Victoria's Lt. Gov. 1854
Samuel Thomas Gill (1818-1880), Toorak, The Residence of the Lieut Govt of Victoria 1854, lithograph, published Campbell & Ferguson, Melbourne, initialled, titled and dated in text on image: Stg Toorak. The Residence of the Lieut Govt of Victoria 1854, 14…
Australian Natives Salvaging Shipwreck Debris
Lelorr, Naturels de l'australie pillant des debris de naufrage, colour lithograph, inscribed in printed text on margin, 16 x 23 cm
The First & The Last
H Robinson and H. Cook, The First, The Last, A pair of engravings, inscribed and titled in text on margin: The First The Last, 15 x 11.5 cm (each)
The Return: First Class
Abraham Solomon (1824 - 1862), The Return (First Class), engraving, published London 1857 by E. Gambart & Co, engraved by W H Simmons, inscribed in printed text on margin, 47 x 68 cm
Australian Cityscapes: Engravings and Lithographs
A folder of thirty seven engravings and lithographs including Samuel Thomas Gill, Frederick Terry and others depicting scenes of Melbourne, Sydney and their environs, 12.5 x 20.5 cm (average size)
Nouvelle Hollande: Samoiedie and Waeigats Map
Nouvelle Hollande nommee ainsi par les Hollandais en 1594, aujour d'hui Samoiedie due Nom de cas Habitans, engraving, Carte Du Detroit De Waeigats, ou De Nassu, 21 x 31 cm
Melbourne Landmarks: Lithographs by Thomas Ham
Thomas Ham (1821-1874), Melbourne 1852, Flagstaff, St Francis Church, Post Office, Cathedral, Hospital, Supreme Court, Customs house, Town Hall, collection of eight lithographs, 9.5 x 15.5 cm (each)
Swan River Bivouac, 1827 Exploration Party
William Huggins (1781-1845), Swan River 50 Miles up, The view represents the Bivouac of Capt. Stirling In their exploring Party March, 1827, from an original drawing in possession of F.R. Clause, Esqr. Surgeon, R.N. to whom this Engraving Is dedicated by…
Sydney Engravings and Lithographs by Gill and Terry
Samuel Thomas Gill (1818-1880) and Frederick Charles Terry (1827-1869), a bound collection of engravings and lithographs depicting Sydney and its environs, 16 x 18.5 cm (each)
Site of Eureka Stockade after the Fight (8 words)
Samuel Thomas Gill (1818-1880), Site of the 'Eureka Stockade' Shortly After the Fight. Ballarat 3rd Dec 1854, lithograph, published by F W Niven & Co, inscribed in printed text on margin, 11 x 18.5 cm
Lady Carrington Drive Silkscreen by D E Sherratt
D E Sherratt, (20th century), Lady Carrington Drive, silkscreen ed. 1/10, signed lower right, 46 x 35.5 cm
Old Bridge Etching by J.A. Crisp
James Alexander Crisp, (1879-1962), Old Bridge near Wollombi, etching ed. 13/50, signed lower right, 22 x 15 cm
Anemones and Paradise Moon Etchings
Paul Ashton Delprat, (b.1942), Anemones + Paradise Moon (2), etchings ed. 39/78, 20/60, Each signed lower right, 20 x 15 cm each
Eastern Hemisphere: Handcoloured Engraving by Henry Teasdale & Co
Henry Teasdale & Co. pub, Eastern Hemisphere, handcoloured engraving, 36.5 x 36.5 cm
Fleet of Otaheite at Oparee, 1777
William Hodges, (1744-1797) English, After, The Fleet of Otaheite (Tahiti) assembled at Oparee 1777, copper engraving eng. W Woollett, 25.5 x 39.5 cm
Crystal Palace Interior Lithograph by Louis Haghe
Louis Haghe, (1806-1885) Belgian, The Crystal Palace (Interior) 1851, colour lithograph, 58.5 x 41 cm
Otahiete Island: One League Distant
William Hodges, (1744-1797) English, After, The Island of Otahiete (Tahiti) bearing S.E. distant one League, copper engraving eng. Sydney Parkinson (c.1745-1771), 26 x 44 cm
A Man of Nootka Sound
John Webber, (1750-1793) English, After, A Man of Nootka Sound 1784, copper engraving sculpt. W Sharp, 30.5 x 24 cm
Australian Violets Engraving by Marion Ellis Rowan
Marion Ellis Rowan, (1848-1922) After, Australian Violets, engraving, 15.5 x 11.5 cm
Waratah: Handcoloured Engraving
William McLeod, (19th century), The Waratah, Telpea Speciocissima c.1886, handcoloured engraving, 22 x 13.5 cm
Arthur Phillip Esq
Francis Wheatley, (1747-1801) English, After, Arthur Phillip Esq. 1789, engraving, 20 x 13 cm
New Zealand War Canoe Engraving
Sydney Parkinson, (1745-1771) English, After, A War Canoe of New Zealand c.1773, copper engraving, 19 x 51.2 cm sight
Turin Engraving, Late 19th Century Italian School
Italian School, (Late 19th century), Turin, engraving, 36 x 51.5 cm
Isaac Ware's Four Illustration Plates of Ionic Doorways
Isaac Ware, (1704-1766) English, After, Four Illustration Plates, The Ionic Door Way, Pl. 63 No. 44 Page 444 + Pl.113 No. 73, Page 680 + Pl.45 No. 34 Page 371 + Pl.61 No. 43 Page 433 c.1756 (4), engravings, eng. P. Fourdrinier, I Roberts, W Bond, 30 x 21…
Engraved Huon Pine Picture Frame - 55x50cm Exterior
Huon pine picture frame with engraving 55 x 50 cm (exterior)
Birdseye Huon Pine Frame with Minerva Engraving
19th century birdseye huon pine picture frame with early engraving, the temple of Minerva, 83 x 65 cm (exterior of frame)
Geographic Engravings by Banke, 1792
Two George III Banke's Geographic engravings, dated 1792, 49 x 34 cm (frames)
City of Gael: London 1704
City of Gael, colour engraving, published London 1704 vol. III. p. 717, 27.5 x 36 cm
Spring Engraving by R. Pyle, London
R Pyle, Spring, colour engraving, printed by Carrington Bowles, London, 32 x 25.5 cm
Royal Mail Coach Engraving in Huon Pine Frame
Herring's Sketches On The Road, No.3 The Royal Mail Coach, coloured engraving, in fine birdseye huon pine frame with gilt slip, maker's label verso 'R.J.Hood Carver, Gilder & Picture Frame, frame size 81 x 100 cm
Goldfields News Reaches London: May-June 1852
News From the Goldfields Reaches London - May to June 1852, The Illustrated London News' editions of May 22, May 29 and June 26, 1852, each carrying reports and steel engravings illustrating the latest news from the gold diggings in Victoria. (3 editions).
Vintage Nursery Jam Tin Sign
A.J.C. The Jam For The Nursery' vintage lithograph tin sign, 34 x 48 cm
Scottish Wedding
George Baxter, (1804-1867) English, after, Scottish wedding, print in colours, trimmed, 7 x 10.5 cm
"Jenny Lind and Jetty Treffz" Baxter Prints
George Baxter, (1804-1867) English', Madelle Jenny Lind + Madelle Jetty Treffz (2), Baxter prints, stamp lower left, printed in oil colours by G Baxter, stamped, Baxter's patent oil Printing, 11 Northampton square, 35 x 27 cm overall
Whitcombe's Naval Engravings: Two Battles
Thomas Whitcombe, (1752/3-1824) English, after, Sir Robt Calder's action, July 22nd 1805 + the Capture of the Maria Riggersbergen, Oct 18th 1806 (2), tinted engravings eng. Thomas Sutherland (c.1785-c.1820), each 17.5 x 26 cm
Fleet Heading Out
William Lionel Wyllie, (1851-1931) English, Fleet Heading out, etching, signed lower left, 19.5 x 24.5 cm
Goulburn River in Victoria
John Skinner Prout, (1805-1876), after, on the Goulburn, Victoria, Handcoloured steel engraving, H Bibby sculpt., 12.5 x 18 cm
Sta. Christina Woman and Chief, 1777 Engravings
William Hodges, (1744-1797) English, after, woman of Sta. Christina + Chief of Sta. Christina c.1777 (2), copper engravings eng. J hall, pub. Wm. Strahan new Streeet, etc. London, 29 x 22.8 cm, 28.5 x 24 cm
Wattled Crows by Keulemans
John Gerrard Keulemans, (1842-1912), blue-Wattled Crow (Glaucopis Wilsoni), Orange-Wattled Crow (Glaucopis Cinerea) c.1888, colour lithograph, 30.5 x 24 cm sight
Vintage Convex Frame with Oleograph Artwork
Convex vintage frame and an oleograph, frame approx 58 cm x 43 cm (2)
Raphael's Pilaster Frescoes: Hand-Coloured Engravings
After Raphael Sanzio d'Urbino (1483-1520), Ludovico Teseo (intermediate draftsman), Giovanni Volpato (1740-1803) (engraver). A pair of pilaster frescoes, from the Loggia of Raphael in the Vatican, Rome: 1775-76, hand coloured engravings, 110 x 49 cm,…
Four 'Dr. Syntax' Engravings by Thomas Rolinson
Thomas Rolinson, four coloured engravings from the 'Dr. Syntax' series Each approx. 10 x 19 cm
"The Angel" by Albrecht Durer
Albrecht Durer (The Angel) Wood engraving, monogram in plate 10.5 x 8 cm
Modern Prints of 18th Century Etchings Set
A set of eight prints, each 20th century after 18th century etchings. 41 x 31 cm
Greek Engravings: Charioteer, Soldiers, Discussion, Olive Branch
Four Greek school hand coloured engravings, 'The Charioteer' and 'Soldiers', each 29 x 50 cm, and 'The Discussion' and 'Olive Branch', each 16 x 11 cm
18th Century Bibiena Engravings of Royal Square and Temples
Two 18th century Bibiena engravings, entitled 'Piazza Reale', 28 x 45 cm, and 'Templi e Regia', 28 x 45 cm
Engravings of Fitzroy Gardens and Kenny's Mill
Fitzroy gardens. Coloured engraving Printed by C. Trodel 37 x 27 cm, together with Coloured engraving. Kenny's Mill. Engraved C Trodel and 1863 37 x 27 cm
Piranesi's Suspended City and Navigating Waters
Piranesi 'Bracccio do citta pensile, e navigate al do sotto' Engraving 13 x 19 cm
Christ Risen Engraving by Durer (1512)
Albrecht Durer (Christ Risen) Engraving Dated 1512, monogram in plate 12 x 7 cm
Bing Roger Engraving from Van Diemen's Land
Bing Roger after N. Petit Ouriaga of Van Diemen's Land Engraving. 27 x 20 cm
Hand-Coloured Engraving of Lorius Tribalis by Hart
William Matthew Hart (1830-1908) Lorius Tribalis Hand coloured engraving Engraved by Mintern Bros 48 x 35.5 cm
Passage by Narelle Autio
Narelle Autio (b. 1969), Passage, 2006, type C print, edition of 10 + 2 AP, 58 x 86 cm. Provenance: Stills Gallery, Sydney. 54 Park Street Spa, Sydney, Labels: Copyright Narelle Autio. Image courtesy of the artist, Stills Gallery, Sydney & Hugo Michell…
Red Nails
Narelle Autio (b. 1969), Red Nails, 2006, type C print, edition of 10 + 2 AP, 58 x 86 cm. Provenance: Stills Gallery, Sydney. 54 Park Street Spa, Sydney, Labels: Copyright Narelle Autio. Image courtesy of the artist, Stills Gallery, Sydney & Hugo Michell…
Cocoon by Narelle Autio
Narelle Autio (b. 1969), Cocoon, 2006, type C print, edition of 10 + 2 AP, 58 x 86 cm. Provenance: Stills Gallery, Sydney. 54 Park Street Spa, Sydney, Labels: Copyright Narelle Autio. Image courtesy of the artist, Stills Gallery, Sydney & Hugo Michell…
Untitled #3 by Narelle Autio
Narelle Autio (b. 1969), Untitled #3, 2006, pigment print on vinyl, 193 x 313 cm. Provenance: Stills Gallery, Sydney. 54 Park Street Spa, Sydney, Labels: Copyright Narelle Autio. Image courtesy of the artist, Stills Gallery, Sydney & Hugo Michell Gallery
River Kwai Series Lithograph by Sidney Nolan
Sidney Nolan, lithograph from the River Kwai Series 13/99, approx 80 cm x 60 cm
Mervyn Smith's Newcastle Silk Screen Print
Mervyn Smith 'Newcastle' (Artist's Proof) silk screen print, signed lower right, 60 x 85 cm
"Spanish Scene" Etching by Lionel Lindsay
Lionel Lindsay 'Spanish Scene' etching, signed lower left, 23 x 25 cm
"Australian Gums" Etching by George Whinnen
George Whinnen 'Australian Gums' etching 3/60, signed lower right, 20 x 25 cm
Endeavour River: Coastal View of New Holland
Coloured engraving, View of Endeavour River on the Coast of New Holland, after Rennoldson
Joseph Choate at St Peters College
Joseph Choate, (act.c.1939-1941), the little Quad - St Peters College 1942, etching ed. A/P, signed & dated lower right, 18 x 20 cm
Herekino Silkscreen by Fassett Burnett
Fassett Burnett, (b. 1932) New Zealand er, Herekino 1986, Silkscreen ed. AP, signed lower right, 49 x 38 cm
Wedding at Windsor Lithograph Plate
Day & Son, pub. The Mansion house, 1863, illustrated in the wedding at Windsor, colour lithograph plate 8, 21.5 x 29.5 cm
Roadside Pool Etching by Pratt
Douglas Fieldew Pratt, (1900-1972), the Roadside Pool, etching ed. 38/75, signed lower right, 18 x 25 cm
Steinlen Lithographs: Gares, Calvaire Serbe, Retour de Permission
Theophile Alexandre Steinlen, 1859-1923, Retour de Permission + Gares + Calvaire serbe (3), each lithograph ed. EA, 195/400, 88/100, signed lower right (2), each signed in plate, 32.7 x 29.4 cm, 29 x 25 cm, 28 x 44.5 cm
Precipice No. 1
Helen Eager (1952-) Precipice No. 1, lithograph, signed and dated lower right, edition 2/12, 15 x 22 cm. Provenance: Artarmon Galleries, Artarmon
Old Fisherman's House
Sydney Ure Smith (1887-1949) 'Old Fisherman's, House Windsor', etching, 33/50, signed lower right and initialed upper left, 12 x 16.5 cm. Provenance: The Sedon Galleries, Melbourne
"Cottage Clarendon" Etching by Sydney Ure Smith
Sydney Ure Smith (1887-1949) 'Cottage Clarendon', etching, 32/50, signed lower right, 13 x 13 cm
"Three" Etching by Sheila Sharp
Sheila Sharp, 'Three', aluminium plate etching, edition 6/10, signed lower right, 7 x 7 cm
"The Cascade" by Elioth Gruner
Elioth Gruner (1882-1939) 'The Cascade', dry point etching, signed lower left, 16.5 x 12.5 cm, with Elioth Gruner, 'The texture of Light' exhibition catalogue 2014. Provenance: Artarmon Galleries, Artarmon 2013
"Mallard Duck" by John James Audubon
John James Audubon (American, 1785-1851), 'Mallard Duck', chromolithograph by J Bien, visible paper size, 63 cm high, 94 cm wide. Provenance: The Schuster Gallery London from 'Audubon's Birds of America' Catalogue - Item 33
Mallard Egret Chromolithograph by J. Bien
John James Audubon (American, 1785-1851), 'Mallard Egret', chromolithograph by J Bien, visible paper size, 63 cm high, 91 cm wide. Provenance: The Schuster Gallery London from 'Audubon's Birds of America' Catalogue - Item 64
German Hand-Coloured Botanical Palms Engravings, 1760
Set of six German hand-coloured botanical copper engravings of palms, circa 1760, 35 cm x 23 cm, each
First Time Round
Hugh David Sawrey, (1923-1999), first Time round 1976, Silkscreen ed. 158/200, signed & dated lower right, 47 x 56.5 cm
"Old Government House, Windsor" Etching by Sydney Ure Smith
Sydney Ure Smith, (1887-1949), old Government house, Windsor, etching ed. 23-50 proof, signed lower right, 10 x 15.5 cm
Rockhopper Penguin on Kelp
Annelise Wiebkin, Rockhopper Penguin on Kelp 2011, Handcoloured linocut ed. 3/10, signed & dated lower right, 15 x 15 cm
Railway Station and Lamb Building Etchings by Malcolm Helsby
Malcolm Helsby, (1900-), the Railway station from Bank Street, Adelaide 1929 + Lamb Building, Inner temple London 1926 (2), each etching ed. 8/60, 12/55, each signed & dated lower right, 31 x 18 cm, 20 x 9.5 cm
Adelphi Arches Lithograph by John Goodchild
John Charles Goodchild, (1898-1980) Britain, Australia, Adelphi Arches, lithograph ed. 3/18, signed lower right, 26 x 35.5 cm
The Spit, Sydney
John Charles Goodchild, (1898-1980) Britain, Australia, the Spit, Sydney 1922, etching, 26.8 x 31 cm
"The Conservatorium" by George Marler
George Marler, (1879-1960), the Conservatorium, etching, signed lower right, 15.5 x 22.7 cm
Goodchild's Etchings of St. Peter's Cathedral, Adelaide
John Charles Goodchild, (1898 - 1980) Britain, Australia, St Peters Cathedral, Adelaide + St Peter's Cathedral, Adelaide (interior) (2), each etching ed. No.20/50, 22/40, each signed lower right, 15 x 18 cm, 18 x 16.3 cm
Red Gums Etching by G.T.M. Roach
Gilbert Thomas Meredith Roach, (1895 - 1972) Australia, red Gums, etching ed. 16, signed lower right, 13.5 x 17 cm
Adelaide Observatory Etching by Maxwell Ragless
Maxwell Christopher Richard Ragless, (1901-1981), Adelaide Observatory, etching ed. 5/25, signed lower centre, 16 x 11.5 cm
Horses on Beach
Charles George Bannon, (1919-1993), horses on a beach, Linocut ed. 4/20, signed lower right, 25 x 31 cm
Portrait of James Ashton by John Goodchild
John Charles Goodchild, (1898-1980) Britain, Australia, portrait of James Ashton, etching ed. No. 16/80, signed lower right, 20.5 x 16.5 cm
Roach's Etchings: White Road and Seven Poplars
Gilbert Thomas Meredith Roach, (1895 -1972), the white Road + seven Poplars (2), each etching ed. 18/25, 10/25, each signed lower right, 12.5 x 17 cm, 10 x 13.5 cm
Hill End Bush Scene
'Hill End' oleograph Australian bush scene, signed lower right Sealy, oleograph, 29 cm x 35 cm
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