Taupo Lake: House of Iwikau and Falls of Ko Waihi
George French Angas. 'House of Iwikau, brother of Te Heuheu and Falls of Ko Waihi at Te Rapa, Taupo Lake'. Hand tinted lithograph from The New Zealanders Illustrated, 1847
Maori Canoes of Tolaga Bay and Bream Bay
Louise Auguste de Sainson. A lithograph illustrating the Maori canoes of Tolaga Bay and Bream Bay, New Zealand
Gunna Chief: First Maori to Sell Land to Missionaries
John William Lewin. A Hoodee of Gunna Chief of Rangee Hoo Hand tinted lithograph, London: G. & W.B. Whittaker, 1824. Gunna Chief was the first Maori to sell land to the missionaries in the Bay of Islands in 1815
Wounded Chief Hongi and Family
August Earle. The Wounded Chief Hongi and his family, Bay of Island Hand tinted lithograph, 1828
Hand-tinted Engraving of New Zealand's Insular Region
Unknown Artist. Insulaire de la Nouvelle Zelande Rare and early hand tinted copperplate engraving
Family in Dusk Bay, New Zealand
William Hodges. Family in Dusk Bay, New Zealand Copperplate engraving, c. 1775
Family at Dusk Bay, New Zealand (1775)
William Hodges. A Family at Dusk Bay, New Zealand Copperplate engraving, c. 1775
War Canoe of New Zealand Engraving
After Sydney Parkinson. War Canoe of New Zealand with a view of Gable End Foreland Copperplate engraving
Hippah (Pa) at Tolaga, New Zealand
Herman Diedrich Sporing. 'A Fortified Town or Village Called a Hippah (Pa), Built on a Perforated Rock, at Tolaga in New Zealand'. Copperplate engraving, c. 1769
Maori Warrior Head Engraving by Sydney Parkinson
After Sydney Parkinson. Tetê d'un Guerrier de la Nouvelle Zelande (Head of a warrior of New Zealand) Copperplate engraving. This is the first portrait of a Maori person, from the East Coast of the Nth. Island, drawn by a European artist.
Maori Canoe in Murderers Bay
After Isaac Gilsenan. Murderers Bay Copperplate engraving. This is the first image of Maori people drawn by a European artist, showing a crew of Maori in a double-hulled canoe in what is now known as Tasman Bay.
"The Belguy Bruges" Etching by Sydney Long
Sydney Long 'The Belguy Bruges' etching 26/50, signed lower right, 25 x 15 cm
St Mary's Peak, Flinders Ranges
Christine G. Miller 'St Mary's Peak, Flinders Ranges' etching 5/5, signed lower right, 1943, 26 x 35 cm
Chicken Etching by Jacqueline Hick
Jacqueline Hick 'Chickens' etching 4/30, signed lower right, 1943, 26 x 35 cm
Brisbane Waters Etching by Sydney Long
Sydney Long 'Brisbane Waters' etching 7/30, signed lower right, 32 x 25 cm
Sandhills Etching by Sydney Ure Smith
Sydney Ure Smith 'Sandhills' etching, signed lower right, 19 x 25 cm
Bunny Etching by Henry Van Raalte
Henry Van Raalte 'Bunny' etching 29/35, signed lower right, 20 x 60
"Hills of the South" Aquatint by Henry Van Raalte
Henry Van Raalte 'Hills of the South' aquatint, signed lower right, 20 x 16
"The Forest Giant" Aquatint Print Signed 2/15
Max Ragless 'The Forrest Giant' aquatint 2/15, signed lower right, 57 x 35 cm
Gums on Willocharra Creek
Max Ragless 'Gums on Willocharra Creek' aquatint 8/20, signed lower right, 36 x 55 cm
Villefranche Etching by Lionel Lindsay
Sir Lionel Lindsay 'Villefranche' drypoint etching no.75, signed lower left, 19 x 25 cm
"The Fantail" Linocut Print by Ethleen Palmer
Ethleen Palmer 'The Fantail' coloured linocut 22/30, signed
Eastern Horizon Silkscreen by Jo Sabey
Jo Sabey (b.1947) Eastern Horizon I 1987 Silkscreen ed 2/95 signed & dated lower right, 76 x 121 cm
Rheims Cathedral Etching by Fullwood
Albert Henry Fullwood (1863-1930) Rheims Kathedral etching signed lower right, 12.5 x 9.8 cm
Estuary Canopies and Pier
Wendy Stokes (b.1957) Estuary series I 1990, Canopies 1 1987 + pier (3), each Silkscreen ed. 2/20, 3/10, each signed & dated lower right, 99 x 69 cm, 105 x 71 cm, 69 x 44 cm
Mallee Study
David Schlunke (b. 1942) Mallee study 1969 Silkscreen ed. 2/60 signed & dated lower right, 54 x 70.5 cm
Orpheus Lovers Lithograph by Charles Blackman
Charles Blackman 'Orpheus - Lovers' lithograph 14/30, signed below, 41 x 33 cm
Mediterranean Sunset Lithograph by Pierre Bonnard
Pierre Bonnard (1878-1947) France, lithograph 'Sunset Over the Mediterranean', signed lower left in pencil, 30 cm x 49.5 cm
Sydney University Etching, Limited Edition 54/200
Sydney University etching limited edition 54/200, signature indistinct but believed to be Austin Platt, 18 cm x 36.5 cm approx
Abandoned Carved House at Pari-Pari, Te Kuiti
George French Angas, 'Ancient Carved House at Pari-Pari, Te Kuiti' This carved house and the whole pa was consequently abandoned, all decayed and disappeared. More details on reverse. 23 x 35 cm.
Te Rapa's Warm Bathing Pool
George French Angas, 'Warm Bathing Pool, Te Rapa, Taupo' more details on reverse. 26 x 37 cm.
Ancient Carved Pataka at Waitahanui
George French Angas, 'Ancient Carved Pataka, Waitahanui (Taupo)'. Details on reverse. 34 x 24 cm.
"Alice and Friend" by Charles Blackman
Charles Blackman (Born 1928), Alice Shadow and Friend, etching 69/90, signed, titled and dated to margin, 52 x 37 cm
"Sommet de la cataracte Bouganville" Engraving
Bernard et Frey eng. (19th century) France Sommet delá cataracte Bouganville hand coloured engraving. Bernard et Frey eng. (19th century) France Sommet dela cataracte Bouganville hand coloured engraving 26 x 31 cm
British Country Cricket Match
Thomas Jarman Brooks Theodore hunter (19th century) Britain the country cricket match Handcoloured steel engraving signed lower right & lower left 42 x 60 cm
Rugby Match in 1895
W B Wollen, eng. (19th century) Britain a Rugby match 1895 Handcoloured steel engraving 45 x 73 cm
George Baxter's French Landscape Print
George Baxter (1804-1867) Britain Abbeville, Normandy, France 1847 Baxter print 6.8 x 5 cm. Provenance: David Jones, Australia. Literature: Courtney Lewis, CT. George Baxter: His life & work, London, Sampson low, Marston, 1908 cat. No. 330. Other Notes:…
Hobart Views: 19th Century Hand-Coloured Lithographs
Two hand coloured lithographs of Hobart views, 19th century, 28 x 38 cm and 24 x 38 cm
"Light Through Trees" Etching by John Goodchild
John Goodchild 'Light Through Trees' etching 18/40, signed lower right, 24 x 30 cm
Hand-Colored Etching of Windsor Castle, 19th Century
A Victorian hand colored etching of Windsor castle, English, 19th century, 25 x 35 cm
18th Century French and German Engravings
A pair of coloured engravings, French, 18th century, together with a German black and white engraving the French engravings 43 x 53 cm
Versailles Gardens Engravings Collection
A collection of twenty-four framed steel engravings of the gardens and fountains of Versailles, French, 19th century, 20 x 31 cm
Stow House Views: 18th Century Steel Engravings
A set of nine steel engravings, views of Stow House, Buckinghamshire, English, 18th century, 26 x 38 cm
Edward Warner Etching, 90/110
Edward Warner (1879-1968) Fisher Library, Etching. 14.5 x 12.5 cm. Signed lower right. titled and numbered 90/110 lower left
Untitled Screenprint by Eugenio Carmi (1974)
Eugenio Carmi, Untitled 1974, Screenprint 89/150, 60 x 43.5 cm
Castle Fanfrolico No. 14 by Norman Lindsay
Norman Lindsay (1879-1969), Castle Fanfrolico No.14 etching, pencil signature & title lower margin, c1927. 40 x 25 cm
First Parliament Opening: The Big Picture
Tom Roberts: 'The Opening of the First Parliament of the Commonwealth of Australia by His Royal Highness the Duke of Cornwall & York, 9th May 1901' also known as 'The Big Picture', reproduction lithograph signed in the lower margin by 5 Victorian state…
Death in the Garden
Norman Alfred Williams Lindsay (1879-1969), Death in the Garden, etching, engraving and stipple edition 18/55, signed and dated 1923, 33 x 26.5 cm. Literature: The Complete Etchings of Norman Lindsay, Lyn Bloomfield, Published by Odana Editions, Sydney…
Melbourne from Yarra River in 1838 (with key)
M.L Hatchinson, Melbourne in 1838 from the Yarra (with key), colour lithograph, 37 x 33 cm (overall)
Melbourne View: Engraved Dedication to Governor La Trobe
W J Lowry, View of Melbourne, Port Phillip, dedicated by permission to the honourable Governor La Trobe, engraving. 17 x 50.5 cm
Tall Ship Etching by Rowland Langmaid
Rowland Langmaid, Tall Ship, etching, signed 'Roland Langmaid' lower right on margin, 25 x 18 cm
Evening Light II
Charles Blackman, (Born 1928) evening light II, 1967, lithograph 90/100, signed lower right, 76.5 x 57.5 cm
"Back Streets, Broken Hill" by Pro Hart
Pro Hart 'Back Streets, Broken Hill' handcoloured etching (A/P) signed lower right, 20 x 17 cm
Australian Etching by Brian Dunlop (1938-2009)
Brian Dunlop (1938-2009) Australia, etching, signed lower right, 20/24, 15 cm x 20 cm approx.
Sydney Uni Med School Etching by Austin Platt
Austin Platt (1912-2003), Sydney Uni Med school, etching. 18 x 31.5 cm. Signed lower right, titled centre, numbered 12/185
Edward Warner Etching, Sydney University
Edward Warner (1879-1968) Sydney University, etching. Measures 12 x 24 cm. Signed lower right. Titled and numbered 104/110 lower left
Cranes in Flight
Edward Julius Detmold (1883-1957) 'Cranes', coloured etching 14 x 28 cm. Signed E J Detinoldy lower right. Numbered 19/30 lower left
Rare Birds Engravings by William Hayes
William Hayes (1729-1799), blue Bellied parrot, red and blue macaw, yellow and blue macaw, handcoloured copperplate engravings from portraits of rare and Curious birds from the Menagerie of Osterly Park, London, Bulmer, 1794 (3), 26.5 x 20 cm 26.5 x 20 cm…
Lucknow Across Goomty River - Daniell, 1802
Thomas Daniell (1749-1840), Lucknow taken from the opposite bank of the river Goomty, 1802, hand-coloured acquatint, from Thomas and William Daniell, Oriental Scenery part 3: containing twenty-four Views of the Architecture, Antiques and landscape Scenery…
Mausoleum of Kausim Solemanee at Chunar Gur (1803)
Thomas Daniell (1749-1840), Mausoleum of Kausim Solemanee, at Chunar Gur, 1803, hand-coloured acquatint, from Thomas and William Daniell, Oriental Scenery part 3: containing twenty-four Views of the Architecture, Antiques and landscape Scenery of…
Goldie's 'A Good Joke' Print in Traditional Frame
Charles Frederick Goldie print, 'A Good Joke', framed in a traditional Goldie style ebonised frame, 40 x 33 cm
"War-Time London" Lithograph by Jacqueline Hick
Jacqueline Hick 'War-Time, London' lithograph, signed in pencil below, 30 x 20 cm
"Blackout" Etching by Jacqueline Hick
Jacqueline Hick 'Blackout' etching 7/12, signed lower right, 24 x 25 cm
"Summer Sir" Etching by Rowland Langmaid
Rowland Langmaid (British, (1897-1956) etching 'Summer Sir'?, signed and entitled, 20 x 15 cm
Thames with Westminster
William Lionel Wyllie (British, 1851-1931) etching the river Thames with Westminster, signed, 23 x 35 cm
1854 Balaclava Return
Large framed antique print Balaclava The Return dated 25th October 1854, measures 47 cm high, 71 cm
Lizard and Butterflies Lithograph
Clifton Hugh 'Lizard and the Butterflies' 1988 lithograph 26/37, signed lower right 84 x 60 cm
Ferntree Gully in Dandenong Ranges by Eugene Von Guerard
Eugene Von Guerard (1811-1901), Ferntree Gully. Dandenong Ranges (Victoria), Hand coloured lithograph, 52 x 34 cm
Italian Architectural Scenes Engraved by Montagu
After Francesco Panini, Italian Architectural Scenes (6), engraved by Domenico Montagu, 43.5 x 70 cm
The Bather
George Joseph Victor Baldessin (1939-78), The Bather 1978, lithograph 37/300, editioned lower left, 57 x 57 cm
Bound Trophy Lithograph
Les Kossatz (1943-2011), Bound Trophy and After Image 1978, lithograph 37/300, signed, titled, dated and inscribed below image
Nude Profile
Cecil John (John) Brack (1920-99), Nude in Profile 1978, lithograph 37/300, signed, titled, dated and inscribed below image, 64.5 x 47.5 cm
"The Innocents" by Norman Lindsay
Norman Lindsay (1879-1969) The Innocents, facsimile etching number 357/550. Impressed watermark lower right. 35 x 30 cm
Enter The Magicians
Norman Lindsay (1879-1969) Enter The Magicians, facsimile etching. Impressed watermark lower right. Numbered 107/550. 29.5 x 35 cm
Early Building Etching by Will Aston (1881-1963)
Will Aston, (1881-1963), early Building, signed etching, 42/50, lower right. 15 cm by 21.5 cm
Dorothy's Ga Yoku
Dorothy Djakangu Yunupingu Nyungala Ga Yoku, screenprint. 48.5 x 66 cm. Numbered 1/30 lower left, signed lower right
Yunupingu's Dhambilingu Ga Wayin
Nyapanyapa Yunupingu Dhambilingu Ga Wayin, screenprint number 10/30. 50 x 68 cm. Numbered in pencil lower left, signed lower right
Ganbulabula Screenprint by Barrupu Yunupingu
Barrupu Yunupingu Ganbulabula, screenprint. 70 x 48 cm. Signed lower right, numbered 21/30 lower left
Miraculous Mandarin Suite Screens
Lanceley, Colin (b.1938) 'The Miraculous Mandarin Suite,' 1966. Homage to Bartok. Folio of 6 screenprints. Screenprints (6) A/P 9/10 75 x 55 cm
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