William Moorcroft was employed by Staffordshire pottery manufacturers James Macintyre & Co. Ltd. as a designer in 1897, and after a year he was responsible for the company's art pottery studio.
William Moorcroft created designs for the Macintyre's Aurelian Ware range of high-Victorian pottery, which had transfer-printed and enamelled decoration in bold red, blue and gold colours. He also developed the art nouveau-influenced Florian Ware which was decorated entirely by hand, with the design outlined in trailed slip using a technique known as tubelining. William Moorcroft's designs won him a gold medal at the St.
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Louis International Exhibition in 1904.
Each piece of pottery produced was personalised with Moorcroft's own signature or initials.
William Moorcroft and James Macintyre & Co. Ltd. split up in 1913 and Moorcroft founded his own factory nearby. Some finance came from the famous London store Liberty, and Liberty continued to exercise control over Moorcroft until 1962.
Moorcroft's reputation was further enhanced with the appointment of the Moorcroft company as Potter to HM The Queen in 1928.
On the death of William Moorcroft in 1945, his elder son, Walter, took over management and design and he continued in this position until his retirement in 1987, after which he continued contributing to Moorcroft designs.
During the tenure of Walter Moorcroft, the Liberty store's interest in Moorcroft was purchased by Moorcroft in 1962.
In the 1980s Moorcroft got into financial difficulties as a result of rising wages and fuel, which were exacerbated by the labour intensive techniques employed by Moorcroft and the company went through several changes in ownership with the result that from 1993 the company was controlled by the Edwards family, which is still the case.
The young 24 year old designer Rachel Bishop joined Moorcroft in 1993, as only its fourth designer in almost a hundred years and her designs become immediately popular. In 1997 the Moorcroft Design Studio was formed with eight designers, and with Rachel Bishop as head designer.
Moorcroft celebrated its centenary in 1997, marking the year that William Moorcroft joined MacIntyre as its founding date, rather than the year the company was founded.
Moorcroft is still producing art pottery in its own distinctive design style, and with astute promotion and limited edition designs including Australian flora and flora, is selling more than it did in the mid-1920’s, its previous heyday.
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The world renowned department store Liberty, was originally founded in 1875 as a furniture and drapery shop in Regent Street, London and was known as "East India House".
The business was established by Arthur Lazenby Liberty, (1843-1917). As the original name of the shop suggests, there was a strong emphasis on Oriental & Moorish objects, furniture and fabrics as well as more traditional European items. Under the heading of "curios", he also sold Japanese bric-a-brac of all kinds.
East India House was one of the first major shops to stock extensively products of the Arts and Crafts movement.
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Goods subsequently produced for Liberty showed both Oriental and Arts and Crafts influence.
In 1884 Liberty opened a costume department and in 1885 a wallpaper department.
Liberty commissioned leading designers of the time to create carpets, ceramics, clothing, furniture, silver and wallpaper exclusively for them.
In 1889 Liberty opened a branch in Paris which was instrumental in exposing Europeans to English Art Nouveau style.
Liberty registered their own silver hallmark in 1894 and in 1899 released a range of gold and silver objects under the name "Cymric", an Art Nouveau interpretation of the Celtic style. They were made by the Birmingham-based company W. H. Haseler.
In 1903 a range of pewter of similar design was released under the name "Tudric". Apart from its interesting designs, Tudric pewter differed from other pewter as it had a high silver content. It was also produced for Liberty by William Haseler of Birmingham.
From 1898 onwards, Liberty retained the services of Archibald Knox (1864-1933). Knox designed much of the Tudric Pewter and Cymric silver as well as textiles, and has been credited with 400 designs.
House rules prevented Liberty designers being allowed to sign their works, except for Archibald Knox.
Pieces with a Knox attribution tend to be the most sought after by collectors, and command a premium in price. Particularly desirable are those items with strong Celtic motifs and brightly coloured enamelling.
Liberty still trades from Regent Street, London.
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