Barsony (Australia) lamps

Barsony Ceramics, synonymous with the production of matt black coloured ceramics from the 1950s and 1960s, was an Australian ceramics manufacturing company operated by George Barsony (1917-2010) and Jean Barsony from the early 1950s to the early 1970s.

George Barsony, a sculptor from Hungary had arrived in Australia as a refugee in 1949 and shortly after, met his future wife Jean who had come to Australia from England and worked in a Sydney pottery.

Together they set up Barsony Ceramics, and the company's operations were conducted from a factory Guernsey Street, Guildford in Western Sydney from the 1950s to 1970s.

As well as manufacturing under the Barsony name, Barsony Ceramics also produced items under the Silver Cloud and Venice labels, but items under these labels very rarely come onto the market.

Decorative items produce by Barsony included candlesticks, figurines, lamp bases, ashtrays, wall hangings, bookends, figure vases, bowls more... etc.

Most Barsony products were marked, although there are some that have no markings. As well there are copies of Barsony products that are unmarked, and a range of similar items were made by Kalmar.

Genuine Barsony can be identified by the numbering system on the base of the item: 'H' indicated head, 'V' indicated vase', and 'L' indicated 'lamp'. Thus 'FL' indicated a figural lamp and 'HL' indicated a head lamp. These letters are followed by the model or mould number. Many of the lamps and figures are named models, such as 'Drumbeat of Trinidad' (FL-41), 'Beauty of the Beach' (F-19) and 'Sitting Black Lady' (FL39). Kalmar items had a similar marking system and it is often difficult to distinguish between the two manufacturers.

The most recognisable Barsony product are the "black lady" lamps, featuring a scantily dressed figure with red and white highlights, and collectors are able to distinguish between original shades that came with the lamp, and later replacements. The price of a lamp will be boosted if it has the original shade which, often were of plastic ribbon and raffia trimmed with thin velvet ribbon. Some of the lamp bases even had built in ash trays but the inclusion of the ashtray was a monetary not a design consideration. At that time a high sales tax was levied on ornamental items, while utilitarian items such as cups, plates and ashtrays attracted a reduced sales tax. less...