An impressive Empire style ormolu mounted rouge marble ewer,…
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An impressive Empire style ormolu mounted rouge marble ewer, France, late 19th century, the baluster marble body adorned with an ormolu mounted spout, joining to a figural handle modelled as the goddess Fortuna bearing her attributes of the rudder, blind fold and a cornucopia, playful cherubs are mounted to the upper body, above a circular socle pedestal base, 67 cm high

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  • Ormolu - Ormolu was popular with French craftsmen in the 18th and 19th century for ornamental fittings for furniture, clocks and other decorative items. True ormolu is gilt bronze, that is bronze that has been coated with gold using a mercury amalgam. Due to the health risks associated with using mercury, this method of creating ormolu was discontinued in France in the 1830s. A substitute was developed consisting of about 75% copper and 25% zinc, however it was inferior to the bronze version. It was often lacquered to prevent it tarnishing.
  • Socle - The short plinth, usually cylindrical, that serves as a pedestal for a sculpture or vase
  • Cornucopia - The cornucopia, literally the horn of plenty, is a symbol of abundance and wealth. It is traditionally is represented by a curved goat horn overflowing with grain and fruit.

    Modern cornucopias are often depicted as horn-shaped baskets filled with food, and this symbol is often associated with the harvest. This decorative device has a long and ancient history, with roots in Greek mythology.

    In one version, when Zeus was playing with the goat Amalthea he accidentally broke off one of her horns. To atone for this, Zeus promised Amalthea that the horn would always be full of whatever fruits she desired. This became the cornucopia of the Roman goddess Copia, the personification of plenty. Other goddesses, including Fortuna and Pax, also held the cornucopia.

    In furniture and decorative arts, cornucopia as a decorative element have been popular since the 16th century and can be found on items as diverse as light fittings and candelabra to clocks, sculpture and statuary and furniture.

    In ceramics, cornucopia shaped vases were popular in the 19th century, in singles and pairs.
  • Ewer / Pitcher - A type of jug with a narrow neck bulbous body and wide spout, originally used for carrying and storing liquids such as water or wine. In medieval times they were the source of water to wash ones hands during and after a meal. later the shape was used for vessels in silver, gold, glass and ceramics.

    In Victorian times they were made in ceramics and occasionally glass with a matching basin, and sometimes other accessories such as a soap holder or toothbrush holder. Their purpose was to provide facilities for personal washing In the early 19th century were often enclosed in purpose built stands, and later resided on a washstand..

    Sometimes the words "ewer" and "pitcher" are used interchangably, but a pitcher is generally considered to be a jug, and would have a wide mouth, and a gently tapering body.
  • Empire Style - The Empire style was a version of neo-classicism popular from 1800 to 1830, coinciding with the rule of Napoleon I from 1840-15. In England the style corrosponds with the Regency style and in the United States to the Federal style.

    The style is inspired by classical Rome and Greece, as reflected in the decorative motifs in the the design such as paterae, guilloches, acanthus and swags, and pieces are lavishly decorated with applied gilded decoration.

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