Wedgwood pate sur pate circular tile classical scene 'The…
click the photo to enlarge
Wedgwood Pate sur pate circular tile classical scene 'The Chaining of cupid' signed a J Birks 15 cm dia

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Pâte-Sur-Pâte - Pâte-sur-pâte is a decorative technique that is commonly used in ceramics and glassmaking. The term "pâte-sur-pâte" is French and it translates to "paste on paste." This technique involves the application of layers of clay or glass paste to create a three-dimensional design.

    In ceramics, the technique involves applying successive layers of a clay slip onto a piece of pottery. Each layer is allowed to dry before the next one is applied. The layers are then carved or incised to create a design in relief. This technique is often used to create delicate and intricate designs, such as figures or floral motifs.

    In glassmaking, the technique involves applying layers of molten glass onto a blown glass form. The layers are then carved or etched to create a design in relief. This technique is often used to create intricate designs, such as floral motifs or animals.

    Both techniques require a high level of skill and precision, as the layers must be applied and carved with great care to achieve the desired effect. The end result is a beautiful and unique piece of art that showcases the artist's talent and mastery of their craft.
  • Cupid Motif - The Cupid motif, which features the Roman god of love and desire, Cupid, was a popular decorative element in classical ornamentation. Cupid was often depicted as a winged, naked baby with a bow and arrow, and was often used to symbolize love and desire.

    In classical art and architecture, Cupid motifs were often used as decorative elements on furniture, such as on the legs of chairs and tables, as well as on architectural elements such as friezes and pediments. They were also used as decorative elements in frescoes, mosaics, and other forms of art.

    During the Renaissance, Cupid motifs were often incorporated into the decoration of palaces, churches and other grand buildings, as they were seen as symbols of love and fertility. Cupid motifs were also commonly used in the decorative arts of the Baroque period, often appearing in the form of putti, which are small winged cherub figures.

    In addition to their decorative use, Cupid motifs were also believed to hold symbolic meaning, as they were thought to evoke feelings of love, desire, and fertility.

This item has been included into following indexes:

Visually similar items

Two antique framed silhouettes with hand written information verso, 20 cm x 15 cm approx (frames)

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Coloured engraving. Woman and cupid. Signed F Bartolozzi. 10 x 12 cm, in original period frame

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Late 19th century miniature portrait of woman with elaborate head dress of peacock in the Nouveau manner as above

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A cut paper silhouette of Geoffrey T Stilwell, Nov 1947, framed by R Hook, Hobart, 10 x 7 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.