An Etruscan revival gold bangle, circa 1870, the hinged bangle…
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An etruscan revival gold bangle, circa 1870, the hinged bangle with a finely detailed rams head terminal and applied gold wirework decoration. 18ct yellow gold. Weight 54.61 grams. Inside diameter 5.5 cm. Stamped on catch but indecipherable, fitted box signed on the interior J.M.Wendt, watch maker & Jeweller, 84 Arundle Street, Adelaide and at mount Gambier, the exterior with applied brass panels 'Fr Holtermann's, patent, similar examples may be found at both the British Museum and the Victoria & Albert Museum

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  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Etruscan - The Etruscans were pre-Roman people who mainly inhabited central and part of north Italy, in the area corresponding to Tuscany. The civilisation was active from around 700BC until their assimilation into the Roman Empire in around the 4th century BC.

    With the increasing importance of Rome they were virtually wiped out, for Rome would not tolerate a competitive civilization. Many Etruscan rituals and aspects of their culture were taken over by Rome: Etruscan funeral games became the Roman gladiatorial combats and the science of divination came from the Etruscans.

    They were also incredible craftsmen in precious metals. It was said that the famous Etruscan Sibylline books of received wisdom were burnt by Rome and that the emperor Claudius was the last person who could read Etruscan, a language that is still largely undeciphered.

    Black and red figure vases attributed to the Etruscans provided the basis for the Etruscan style of furniture, decorative arts and decoration first seen in Louis XVI furniture in the 1760s, and then adapted by Robert Adam in England.

    The style was characterised by the use of the red and black colourways of the vases, together with motifs such as lions, birds, sphinxes and griffins.

    Josiah Wedgwood was inspired by the civilisation, and in 1769 he opened his new ceramic factory at Stoke-on-Trent, naming it "Etruria Works". Using the modeller John Flaxman, he produced wares based on what was thought at the time, to be Etruscan themes.

    At the end of the 18th and in the early 19th century, Etruscan themes were seen in glass, jewellery and furniture, and in the 1820s Coalport China produced a range of wares based on the Etruscan themes.

    Around that time it was discovered that the archaeological treasures attributed to the Etruscans were of Greek origin, but the description of them as "Etruscan" continued.

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