A large Tudor revival linen fold oak display cabinet, 1920s, with an extended cornice above a relief carved frieze, an extended central cupboard with a bold roundel and two recessed side cupboards, cup and cover supports to the lower section with a guilloche embellished frieze drawer, linen fold cupboards and further cupboards to the sides, raised on stile feet, height 194 cm, width 211 cm, depth 60 cm
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- Roundel - A roundel is a circular disk, medallion or border on a plate or dish, on an object of furniture. A plate or dish will often have a central circular bordered decoration, termed a roundel. In furniture the word is often used instead of the word 'patera' to describe a turned circular decoration. In recent times use of the word has expanded to encompass any circular area on an object.
- Linenfold Carving - Linenfold carving is a carving style characterized by a pattern of vertical lines and curves that resemble folded linen or cloth. Linenfold carving was used primarily for the decoration of wood panels, which were often used for doors, furniture, and architectural elements such as wainscoting and panelling. The pattern was created by carving a series of shallow, parallel grooves into the wood, which were then smoothed and shaped to resemble folds of cloth.
- Cornice - The upper section of a high piece of furniture such as a bookcase, wardrobe or cabinet that sits immediately on the main structure. The cornice is usually decorated with a variety of architectural mouldings, worked either with a moulding plane or, from the later 19th century, by machine. The front and side of the cornice are mitred together, strengthened by glue blocks, and the back is generally a simple dovetailed rail to hold the structure together. Cornices are generally, though not always, fitted separately to the piece and are held in place either by screws sunk into the top board or by wooden corner blocks. A pediment may sit above the cornice, but sometimes the terms cornice and pediment are used interchangeably.
- Stile - A cabinetmaker's term that refers to the vertical end members of the framework in a panelled item of furniture. The vertical mid-members are known as muntins.
- Cup and Cover - The cup and cover motif is a decorative element that was commonly used on the legs and balusters of antique furniture, particularly during the late Renaissance and Baroque periods. The motif typically consists of a small cup-shaped element at the top of the leg or baluster, which is then topped with a larger, domed cover. The cup and cover motif was often used to add a sense of elegance and ornamentation to furniture.
- Oak - Native to Europe and England, oak has been used for joinery, furniture and building since the beginning of the medieval civilisation. It is a pale yellow in colour when freshly cut and darkens with age to a mid brown colour.
Oak as a furniture timber was superceded by walnut in the 17th century, and in the 18th century by mahogany,
Semi-fossilised bog oak is black in colour, and is found in peat bogs where the trees have fallen and been preserved from decay by the bog. It is used for jewellery and small carved trinkets.
Pollard oak is taken from an oak that has been regularly pollarded, that is the upper branches have been removed at the top of the trunk, result that new branches would appear, and over time the top would become ball-like. . When harvested and sawn, the timber displays a continuous surface of knotty circles. The timber was scarce and expensive and was used in more expensive pieces of furniture in the Regency and Victorian periods.
- Frieze - An architectural term denoting the flat, shaped or convex horizontal surface of furniture, between the architrave and the cornice, usually found on a cabinet or bookcase, or on desks and tables where it may include drawers, the area between the top and the legs. In ceramics, the term refers to the banding, of usually a repeating pattern, on the rims of plates and vases.
- Guilloche - A form of classical decoration consisting of a repeating ornament of interlacing curved bands, sometimes forming circles, and further decorated with rosettes or other flower forms.
The name is derived from the inventor, French engineer Guillot, who invented a mechanical method of inscribing fine repeating patterns on to metallic surfaces.
On enamelled items with guilloche decoration, the surface is firstly engraved with the repeating pattern, and then covered with several layers of enamel, each of which is fired.
Where the item has not been enamelled the form of decoration is usually called "engine turned".
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