Georgian Sterling Silver Mug by Hester Bateman, 1782
You must be a subscriber, and be logged in to view price and dealer details.
Subscribe Now to view actual auction price for this item
When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.
- Chasing - The method of decorating gold and silver objects using a punch and hammer so that the design appears in relief. Flat or surface chasing is done from the front giving the item definition, but not cutting into the metal.
Chasing is the opposite technique to repousse, but an object that has repousse work, may then have chasing applied to create a finished piece. - Sterling Silver - Sterling silver is a mixture of 92.5% pure silver and 7.5% of another metal, usually copper. Fine silver is 99.9% pure silver, and is relatively soft and the addition of the very small amount of copper gives the metal enough strength and hardness to be worked into jewellery, decorative and household objects.
- Georgian - As an English stylistic period, Georgian is usually taken to cover the period from George I (1714) to the Regency of Prince George (1811-20), although the period from 1800 to 1830 is sometimes designated as the Regency period. During the Georgian period the great English cabinetmakers and designers such as Chippendale, Hepplewhite, Adam Sheraton etc., were all active.
Therefore there isn't a single 'Georgian style' as such and to say something is 'Georgian', usually means it was made between 1714 and 1830. This assumes we discount George V and George VI, both being from the 20th century.
The styles popular at the time of each reign were:
George I (1714-1727) saw out the last years of the Baroque period.
George II (1727-1760) reigned during the Rococo period.
George III (1760-1820) saw the last gasp of the Rococo, all of the early Neo-Classic 'Adam style' and most of the later neo-Classic 'Regency style'.
George IV (Prince Regent 1820-1830)encompassed the last of the 'Regency' style.
William IV's reign (1830-1837) was something of a no man's land (stylistically) and he wasn't a 'George' anyway. He covered the last glimmerings of 'Regency' and the start of the 'Victorian' style.
This item has been included into following indexes:
Visually similar items
Victorian sterling silver small tankard baluster shape, with embossed allover floral, leaf and scroll decoration and cartouche, Birmingham, 1894, maker J N M
George III sterling silver mug and cream jug, mark of Francis Crump, London, 1768 and 1769, later chased and engraved with floral and scrolling motifs, both with leaf-capped scroll handles, on circular feet, hallmarked (2), approx. Weight 233 grams, 211 gr
Two Victorian etched glass water jugs, both with leaf foliage decoration, height 21 cm
A fine heavy gauge George III sterling silver tankard, 1772 London, with maker's mark for William & James Priest, the pear shaped tankard of typical form with a waisted spreading foot and an acanthus embellished double scroll handle, repousse and chased in