An antique European tortoiseshell bird brooch, the…
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An antique European tortoiseshell bird brooch, the tortoiseshell panel with applied gold filigree decoration and set with pearls and paste. yellow gold. Length 7 cm.

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  • Tortoiseshell - Tortoiseshell is a translucent material that comes from the horny carapace of a certain types of turtles, including the hawksbill turtle. It is often therefore mounted on a colour underground - often red - or inlaid with gold or silver thread, as seen in Boulle furniture.

    The texture and colour nuances of the material are extremely important. Heated tortoiseshell can easily be formed into various shapes. Like other natural materials, tortoiseshell becomes more beautiful with use. In a time before plastic, tortoiseshell was widely used for small objects such as combs and powder compacts.

    In 1973, the trade of tortoiseshell worldwide was banned under CITES (The Convention on International Trade in Endangered Species). Prior to importing or exporting items containing tortoiseshell a CITES permit must be obtained. Tortoiseshell items cannot be traded on Ebay.

    "Faux tortoiseshell", another case of man initiating nature, is made from old-style plastics such as celluloid and cellulos and is coloured with red, yellow and brown spots to imitate the genuine article. It is commonly used in glasses frames, musical instruments and costume jewellery.
  • Filigree Work - Jewels - Filigree is delicate and intricate ornamental metal-work made from thin threads of gold or silver, soldered and twisted together to give the effect of lace. The filigree work may be freestanding, or attached to the surface of an object.
  • Paste / Rhinestone / Diamante - Paste (or rhinestone or diamante) is the name given to a coloured glass composition used for imitation gemstones, or to imitation gemstones made of glass.

    Although the technique of glassmaking had been known for thousands of years, but it wasn't until a lead glass with similar optical properties to diamonds were invented by a German jeweller working in Paris (either "Stras" or 'Strasser") in the early 18th century that "paste" gemstones became popular.

    There was no social stigma attached to wearing imitation stones, and they were worn in situations where highway robbery was a possibility. The 18th century settings were of very high quality, equivilent to real gemstone jewellery.

    In the nineteeth century the quality of paste jewellery declined and it has remained the poor cousin to genuine gemstones ever since.

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