A Victorian silver gilt presentation cup, cylindrical body with…
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A Victorian silver gilt presentation cup, cylindrical body with central frosted band, crested within an oval laurel wreath, on a beaded knopped stem, the whole on a spread circular foot with frosted decoration, engraved 'The Gift of the Mercers Company to commemorate the Jubilee of Queen Victoria, 1887', by Robert Roskell, Allan Roskell & John Mortimer Hunt, London 1887, also incuse stamped Hunt & Roskell. Height 245, weight 540gms. In 1887, to celebrate Queen Victoria's Golden Jubilee each member of the Mercer's Company was presented with one of these cups, this example numbered 180. It is modelled on a pair of silver cups gifted to the Mercer's Company by the Bank of England in 1694 for the use of the Mercer's Chapel as temporary premises following the inauguration of the bank the same year. Height 26 cm.

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  • Knop (silver) - A knop on a silver item is either a bulbous protrusion mid way along a stem, such as on a candlestick or at the end of a stem, such as on a spoon, or a knob or finial on top of a cover or lid, that acts as a handle. On a stemmed item such as a candlestick there may be a series of knops of different shapes.
  • Laurel Leaf - The use of the laurel leaf as a decorative element can be traced back to ancient Greece and Rome, where it was closely associated with victory and honour. In these cultures, the laurel was a sacred tree that was dedicated to the god Apollo and was believed to have protective and healing properties.

    In ancient Greece, the laurel wreath was awarded to victors in athletic competitions, such as the Olympic Games, as a symbol of their achievement. The wreath was also associated with academic achievement, and was often worn by scholars and poets. The Greeks also used the laurel leaf as a symbol of victory in war, and it was often depicted in artwork alongside images of triumphant warriors and heroes.

    The Romans continued this tradition, and the laurel wreath became a symbol of the highest military honor, the triumph, awarded to victorious generals. The wreath was also used to crown emperors and other important officials, and was often depicted in Roman art and architecture as a symbol of power and authority.

    The laurel leaf is still used as a symbol of achievement, success, and excellence, and is frequently used in logos, emblems, and other branding materials. Its association with victory and honour has made it a popular choice for awards, medals, and other forms of recognition.
  • Engraving - The method of decorating or creating inscriptions on silver and other metal objects by marking the surface with a sharp instrument such as a diamond point or rotating cutting wheel.
  • Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.

    The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910.
  • Hunt & Roskell - Hunt & Roskell, were a firm of manufacturing and retail jewellers and silversmiths, founded in 1843 by Robert Roskell a famous pocket watch maker from Liverpool, and John Samuel Hunt who had previously been in partnership with silversmith Paul Storr, trading Storr & Co. (1819-22), Storr & Mortimer (1822-38), Mortimer & Hunt (1838-43) and then Hunt & Roskell (1843-97).

    Hunt & Roskell had retail premises at 156 New Bond Street and a manufacturing workshops at 26 Harrison Street, near Clerkenwell.

    They were among the finest of the Victorian silversmith, manufacturing in the high Victorian style, and their craftsmanship was recognised by their appointment as silversmiths and jewellers to Queen Victoria.

    John Samuel Hunt continued as a partner until his death in 1865, when he was succeeded by his son, John Hunt (d.1879). Robert Roskell remained in the firm until his death in 1888. In 1889 the firm was taken over by J.W. Benson and continued in business as Hunt & Roskell Ltd until c.1965.

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