A New Hall 'Boy at the Window' porcelain creamer, circa 1795,…
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A New Hall 'Boy at the Window' porcelain creamer, circa 1795, pattern 425, a tapering fluted creamer with a waisted neck, continuously decorated with an oriental pattern in the Mandarin palette. Provenance: T.C Ratheram New Hall collection, with label underside and painted pattern number, height 10.5 cm

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  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Mandarin Palette - The Mandarin palette is a decorative style used to decorate Chinese export porcelain, which was produced in China specifically for export to Europe and other parts of the world from the 16th to the 19th century. The Mandarin palette is characterized by a bright and colourful design featuring various figures, landscapes, and ornamental motifs.

    The Mandarin palette was first used during the reign of the Kangxi Emperor (1662-1722) in the Qing dynasty. It was named after the Mandarin officials who were depicted in the designs, wearing their distinctive robes and hats. The palette was popular among European collectors and was often used to decorate tea services, vases, and other decorative objects.

    The Mandarin palette was made up of a limited number of colours, typically blue, green, pink, and gold. The designs often featured figures in a garden setting, surrounded by trees, rocks, and pavilions. Some of the most popular motifs included dragons, birds, flowers, and auspicious symbols, such as bats and peaches.

    The Mandarin palette remained popular throughout the Qing dynasty and was used to decorate a wide range of Chinese export porcelain. It continued to be popular among European collectors into the 19th century, and its influence can be seen in the work of many European ceramic artists of the time.

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