A Derby biscuit porcelain group, 'Two Virgins Awakening cupid', circa 1778-1782, model 195, attributed to Pierre Stephan, the finely modelled group with bocage after paintings by Angelica Kauffman and later engravings by Francesco Bartolozzi; see P.Bradshaw, 'Derby Porcelain Figures 1750-1848', plate 243, height 25.5 cm
You must be a subscriber, and be logged in to view price and dealer details.
Subscribe Now to view actual auction price for this item
When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.
This item has been sold, and the description, image and price are for reference purposes only.
- Bocage - The name given to floral and leaf decoration usually surrounding the main subject in ceramic figures and groups, commonly on 18th century porcelain from the Derby, Bow and Minton works.
- Biscuit Porcelain - Biscuit porcelain refers to unglazed, white porcelain that has been fired at a high temperature to harden the material and make it suitable for painting or glazing. The term "biscuit" comes from the French word for "unbaked," referring to the fact that the porcelain has not yet been glazed. The porcelain's firing process is done at very high temperatures and requires good quality of kaolin which is one of the material used to make porcelain.
- Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
- Cupid Motif - The Cupid motif, which features the Roman god of love and desire, Cupid, was a popular decorative element in classical ornamentation. Cupid was often depicted as a winged, naked baby with a bow and arrow, and was often used to symbolize love and desire.
In classical art and architecture, Cupid motifs were often used as decorative elements on furniture, such as on the legs of chairs and tables, as well as on architectural elements such as friezes and pediments. They were also used as decorative elements in frescoes, mosaics, and other forms of art.
During the Renaissance, Cupid motifs were often incorporated into the decoration of palaces, churches and other grand buildings, as they were seen as symbols of love and fertility. Cupid motifs were also commonly used in the decorative arts of the Baroque period, often appearing in the form of putti, which are small winged cherub figures.
In addition to their decorative use, Cupid motifs were also believed to hold symbolic meaning, as they were thought to evoke feelings of love, desire, and fertility.
- Attributed - A cataloguing term where the item in the opinion of the cataloguers, is a of the period of the artist, craftsman or designer, and which probably in whole or part is the work of that person.
This item has been included into following indexes: