A large Grainger Lee & Co Worcester pot pourri, circa 1815, of…
click the photo to enlarge
A large Grainger Lee & Co Worcester pot pourri, circa 1815, of ovoid form with curved bracket handles and lion mounts, having a fitted low pierced lid with knop, lavishly gilded to the cobalt ground with a floral octagonal plaque of honeysuckle, roses, oriental poppy, primulas and others; script mark underside, height 25 cm

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Oviform /ovoid - The outline loosely resembling the shape of an egg.
  • Knop (ceramics) - In ceramics, a knop is a protuberance on the top of an object, and can be either decorative, or used as a knob to lift the item.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.

This item has been included into following indexes:

Visually similar items

A Barr, flight & Barr Worcester Imari teapot, circa 1810, the compressed oval teapot with an elegant looping vegetal handle and a domed and recessed lid with a flame style finial, profusely decorated with a fenced oriental garden scene in a vibrant cobalt,

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Fine Satsuma teapot, of petit baluster form, decorated with geisha in tea service, accented in orange and gilt, seal mark to base, height 5 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Good Chinese Qing period miniature teapot chips to underside of teapot lid. 14 cm handle to spout.

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Derby Named View teapot, circa 1815, decoration in the manner of George Robertson, of neoclassical compressed form, with a stepped dome lid and gadrooned finial, decorated with two reserves of cottages in landscapes, 'In North Wales' and 'Near Michelover

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.