A Derby soft paste porcelain, 'Antique Figure of Plenty', circa 1780, model 163, pattern 2. Provenance: group Capt. & Mrs Pendrid collection, 'Plenty' with a floral diadem, floral tunic, mauve sash with blue cape cradling a filled cornucopia in her left arm, incised marks underside, 4, and cypher ; cited P. Bradshaw, 'Derby Porcelain Figures 1750-1848', p. 282, height 23 cm
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- Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
- Incised - A record of a name, date or inscription, or a decoration scratched into a surface, usually of a glass or ceramic item with a blunt instrument to make a coarse indentation. Compare with engraving where the surface is cut with a sharp instrument such as a metal needle or rotating tool to achieve a fine indentation.
- Soft Paste Porcelain - Porcelain is an ancient ceramic material, first made in China, hence the common name "china", and the process was unknown in the West.
European potters attempted to replicate Chinese porcelain, without knowing the ingredients in its composition, and the earliest wares were produced with mixtures of clay and ground-up glass (frit), the idea being that the glass would give the porcelain translucency.
It was given the name "soft" because it did not remain rigid, but "slumped" when fired in the kiln at high temperatures.
- Cornucopia - The cornucopia, literally the horn of plenty, is a symbol of abundance and wealth. It is traditionally is represented by a curved goat horn overflowing with grain and fruit.
Modern cornucopias are often depicted as horn-shaped baskets filled with food, and this symbol is often associated with the harvest. This decorative device has a long and ancient history, with roots in Greek mythology.
In one version, when Zeus was playing with the goat Amalthea he accidentally broke off one of her horns. To atone for this, Zeus promised Amalthea that the horn would always be full of whatever fruits she desired. This became the cornucopia of the Roman goddess Copia, the personification of plenty. Other goddesses, including Fortuna and Pax, also held the cornucopia.
In furniture and decorative arts, cornucopia as a decorative element have been popular since the 16th century and can be found on items as diverse as light fittings and candelabra to clocks, sculpture and statuary and furniture.
In ceramics, cornucopia shaped vases were popular in the 19th century, in singles and pairs.
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