Antique Aquamarine Tassel Necklace in Victorian Etruscan Revival

• Acanthus - A stylized leaf motif, one of the primary decorative elements of classical Greek and Roman architecture, derived from the genus of flowering plants in the family Acanthaceae, native to tropical and subtropical regions of the Mediterranean area. It is a common element in classical Greek and Roman design, and is often seen in Corinthian and Composite order columns and used as a decorative element in English, European and Australian furniture, particularly on the curve of a leg, and as decoration for a corbel.
• Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.
  
  The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910.
• Etruscan - The Etruscans were pre-Roman people who mainly inhabited central and part of north Italy, in the area corresponding to Tuscany. The civilisation was active from around 700BC until their assimilation into the Roman Empire in around the 4th century BC.
  
  With the increasing importance of Rome they were virtually wiped out, for Rome would not tolerate a competitive civilization. Many Etruscan rituals and aspects of their culture were taken over by Rome: Etruscan funeral games became the Roman gladiatorial combats and the science of divination came from the Etruscans.
  
  They were also incredible craftsmen in precious metals. It was said that the famous Etruscan Sibylline books of received wisdom were burnt by Rome and that the emperor Claudius was the last person who could read Etruscan, a language that is still largely undeciphered.
  
  Black and red figure vases attributed to the Etruscans provided the basis for the Etruscan style of furniture, decorative arts and decoration first seen in Louis XVI furniture in the 1760s, and then adapted by Robert Adam in England.
  
  The style was characterised by the use of the red and black colourways of the vases, together with motifs such as lions, birds, sphinxes and griffins.
  
  Josiah Wedgwood was inspired by the civilisation, and in 1769 he opened his new ceramic factory at Stoke-on-Trent, naming it "Etruria Works". Using the modeller John Flaxman, he produced wares based on what was thought at the time, to be Etruscan themes.
  
  At the end of the 18th and in the early 19th century, Etruscan themes were seen in glass, jewellery and furniture, and in the 1820s Coalport China produced a range of wares based on the Etruscan themes.
  
  Around that time it was discovered that the archaeological treasures attributed to the Etruscans were of Greek origin, but the description of them as "Etruscan" continued.

This item has been included into following indexes:

• Etruscan style jewellery - necklace or chain 15
• necklaces, set with - aquamarine 51