An early Chinese Longquan celadon mallet-shaped vase, Song Dynasty (960-1279), or later, well-potted, with a cylindrical body, rising from a low foot-rim to a canted shoulder, and terminating by a dish-shaped mouth. The neck with crackle glaze, flanked by an applied pair of serpentine dragon-fish handles. Covered overall in a fine bluish-green glaze, the unglazed hand-pared foot-rim revealing the dark brown dressing, with glazed base, 26.5 cm high, Exhibitions, Sparse Shadows, flying pearls', Qag, 27 August 2005 - 27 November, 2005, illus. In catalogue., Literature, Southeast Asian Ceramics Society, Chinese Celadons and other related wares in Southeast Asia, Singapore 1955, pp. 160-163, pls. 72 & 73. Other Notes: celadon vases of this 'Mallet' shape generally known under the Japanese term kinuta, are among the most sought-after Longquan vessels. It has been suggested by several scholars that this shape, despite resembling a paper mallet, May in fact have been introduced to china as a glass vase or bottle from the Islamic west, possibly Iran., reference: for similar, please refer to the mallet vase in the V&A collection, London, given by Sir Alan Barlow, as illustrated in rose Kerr's, song Dynasty Ceramics, V&A Publications, London: 2004
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- Song Dynasty - The Song Dynasty was a ruling dynasty in China from 960 to 1279 AD. It was divided into two periods, the Northern Song (960?1127) and the Southern Song (1127?1279). The emperor was the ultimate authority, but he relied on officials who were selected based on their merit and skills rather than their family background or social status. The Song Dynasty was a period of great artistic and cultural achievements, particularly in the areas of poetry, painting, and calligraphy. The Chinese invented the printing press during this period, which revolutionized the spread of knowledge and ideas. During the Song Dynasty, China had a prosperous economy and was a centre of international trade, particularly in luxury goods such as silk, tea, and porcelain. The use of paper money became more widespread during this period, facilitating commerce and trade.
- Crackling and Crackle as a Decorative Technique - Crackle, also known as crackling, is a decorative technique that has been used in China for centuries. It is believed to have originated during the Song Dynasty (960?1279 AD) and was primarily used in the production of ceramics, lacquerware, and furniture. The crackling effect was achieved by applying a glaze or lacquer that was formulated to crack during firing, creating a crackled pattern on the surface of the item.
During the Ming Dynasty (1368?1644 AD), crackle became a highly sought-after decorative technique, and it was used to create intricate and beautiful designs on ceramics and lacquer ware.
In Western decorative arts, crackle / crackling came into use during the Art Nouveau movement in the late 19th and early 20th century. The crackling effect was used to create a sense of movement and fluidity in the design of Art Nouveau pieces.
It was also used in the 1920s and 1930s during the Art Deco movement.
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