A Georgian sampler, 1823, by Ann Callis of Loughborough, aged ten, embroidered in petit point on linen with a sombre religious poem, trees, small animals and cupids, and deep borders of floral crewel work. Height 59 cm, width 51.5 cm, (includes frame)
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- Petit Point - Petit point embroidery is a type of needlework that is characterized by small, delicate stitches worked onto a fine canvas or mesh fabric. The stitches used in petit point embroidery are typically very small and precise, and are worked in diagonal rows to create a smooth, even surface.
Petit point embroidery is often used to create intricate designs and patterns, such as floral motifs, landscapes, and portraits. The embroidery can be done in a variety of colours and can be quite detailed and realistic.
The technique of petit point embroidery has been used for centuries in various forms of decorative art, including tapestries, cushions, and clothing. It was particularly popular in the 17th and 18th centuries in Europe, where it was used to create elaborate wall hangings and furniture coverings.
Petit point embroidery is still practiced by many artisans and is used to create a wide range of decorative items, including jewellery, handbags, and home decor. The technique requires patience and skill, as the small stitches can be time-consuming to work and require a steady hand.
- Crewel Work - Crewel work is a form of embroidery that uses a fine, two-ply wool yarn to create designs on a fabric ground. The yarn is typically stitched using a needle to create a variety of textures, patterns, and designs. Crewel work is known for its delicate and intricate designs, which often feature floral and foliate patterns.
It is a traditional form of embroidery that dates back to the 16th century and was particularly popular in England and colonial America during the 17th and 18th centuries. Crewel work is often used to decorate clothing, linens, and upholstery. It can be done by hand or by using a crewel embroidery machine.
- Georgian - As an English stylistic period, Georgian is usually taken to cover the period from George I (1714) to the Regency of Prince George (1811-20), although the period from 1800 to 1830 is sometimes designated as the Regency period. During the Georgian period the great English cabinetmakers and designers such as Chippendale, Hepplewhite, Adam Sheraton etc., were all active.
Therefore there isn't a single 'Georgian style' as such and to say something is 'Georgian', usually means it was made between 1714 and 1830. This assumes we discount George V and George VI, both being from the 20th century.
The styles popular at the time of each reign were:
George I (1714-1727) saw out the last years of the Baroque period.
George II (1727-1760) reigned during the Rococo period.
George III (1760-1820) saw the last gasp of the Rococo, all of the early Neo-Classic 'Adam style' and most of the later neo-Classic 'Regency style'.
George IV (Prince Regent 1820-1830)encompassed the last of the 'Regency' style.
William IV's reign (1830-1837) was something of a no man's land (stylistically) and he wasn't a 'George' anyway. He covered the last glimmerings of 'Regency' and the start of the 'Victorian' style.
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