A Georgian sterling silver gravy ladle, 1817 probably London,…
click the photo to enlarge
A Georgian sterling silver gravy ladle, 1817 probably London, (panther head absent), with maker's mark for William Eley & William Fearn, a thread edge fiddle pattern and shell ladle, with an engraved armorial to terminal; hallmarked underside, silver weight 93gr. Length 18 cm

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Engraving - The method of decorating or creating inscriptions on silver and other metal objects by marking the surface with a sharp instrument such as a diamond point or rotating cutting wheel.
  • Georgian - As an English stylistic period, Georgian is usually taken to cover the period from George I (1714) to the Regency of Prince George (1811-20), although the period from 1800 to 1830 is sometimes designated as the Regency period. During the Georgian period the great English cabinetmakers and designers such as Chippendale, Hepplewhite, Adam Sheraton etc., were all active.

    Therefore there isn't a single 'Georgian style' as such and to say something is 'Georgian', usually means it was made between 1714 and 1830. This assumes we discount George V and George VI, both being from the 20th century.

    The styles popular at the time of each reign were:

    George I (1714-1727) saw out the last years of the Baroque period.

    George II (1727-1760) reigned during the Rococo period.

    George III (1760-1820) saw the last gasp of the Rococo, all of the early Neo-Classic 'Adam style' and most of the later neo-Classic 'Regency style'.

    George IV (Prince Regent 1820-1830)encompassed the last of the 'Regency' style.

    William IV's reign (1830-1837) was something of a no man's land (stylistically) and he wasn't a 'George' anyway. He covered the last glimmerings of 'Regency' and the start of the 'Victorian' style.
  • Hallmarks - A mark stamped on articles of precious metals in Britain, since the 14th century, certifying their purity. It derives its name from the Guild Hall of the Goldsmiths' Company, who recieved its Charter in 1327 giving it the power to assay (test the purity) and mark articles of gold and silver.

    The hallmark will consist of several marks, including the:

    - silver standard mark, indicating the purity of the metal. Sterling silver is .925 pure silver.

    - the city mark indicating the city in which it was assayed eg London, Birmingham, York etc.

    - the date mark, usually a letter of the alphabet in a particular font and case,

    - a duty mark, indicating whether duty had been paid to the crown, and only in use from 1784 to 1890

    The piece may include an additional mark, the maker's mark, although not forming part of the hallmark, will be located in the vicinity of the hallmarks.

    Sometimes silver plated items will bear faux hallmarks, often confusing those not familiar with silver markings.
  • Sterling Silver - Sterling silver is a mixture of 92.5% pure silver and 7.5% of another metal, usually copper. Fine silver is 99.9% pure silver, and is relatively soft and the addition of the very small amount of copper gives the metal enough strength and hardness to be worked into jewellery, decorative and household objects.
  • Armorial / Armourial - Bearing a coat of arms. Coats of arms came into general use by feudal lords and knights in in the 12th century, and by the 13th century, arms had spread beyond their initial battlefield use to become a flag or emblem for families in the higher social classes of Europe. They were inherited from one generation to the next. When a family crest is used on individual items of silver or furniture it is an indicator of the aristocratic standing of the family represented.

    Armorials were also used to decorate mass produced ceramic souvenir ware by such companies as Goss, Carlton & Shelley, and in these cases the coats of arms displayed were of boroughs and cities.

This item has been included into following indexes:

Visually similar items

A George IV sterling silver Sifting spoon, 1828 London, with maker's mark for William Eaton, the 'Fiddle pattern' sifter with reeded edges to both sides with a shallow bowl pierced with a radiating design from a central flower, hallmarked underside to fini

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Victorian sterling silver bead edged ladle, 1873 London, with maker's mark, Ga, for Chawner & Co, the fiddle pattern ladle with a slightly oval bowl; hallmarked underside, silver weight 275gr, length 33.5 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A sterling silver serving spoon, 1871 London, with maker's mark Ga for Chawner & Co (George William Adam), having an oval bowl and a curved stem in fiddle pattern, engraved to the terminal; hallmarked underside, silver weight 61gr length 18 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A pair of Georgian sterling silver soup spoons, 1808 London with maker's marks for Richard turner & John Shea, the fiddle pattern spoons with scallop shell terminals, engraved 'C' to terminals; hallmarked underside to both, silver weight 131gr. Length 22 c

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.