A large Chinese Wucai-enamelled baluster jar, Ming Dynasty…
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A large Chinese Wucai-enamelled baluster jar, Ming Dynasty (1368-1644), Jiajing mark and of the period (1522-1566), the body boldly decorated in separated sections, with a floriate border to the neck, followed by a band of lattice work with floral cartouches to the shoulder, together with the Jiajing mark, and a lively description of scholars, animals and performers at court across the body, bordered to the top and bottom with a lappet of ruyi design, with a number of colourful qilins chasing flowers to the foot of the jar, 44.5 cm high, 52 cm high with stand

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  • Ming Dynasty - The Ming Dynasty was a ruling dynasty of China from 1368 to 1644. It succeeded the Yuan Dynasty and preceded the Qing Dynasty. The Ming Dynasty was established by Zhu Yuanzhang, a former Buddhist monk who became a rebel leader and eventually overthrew the Mongol Yuan Dynasty. During the Ming Dynasty, China experienced a period of relative stability and prosperity. The government was centralized and bureaucratic, with the emperor at the top of the hierarchy. The Ming Dynasty is known for its cultural achievements, including the development of porcelain, the invention of movable type printing, and the construction of the Great Wall of China.

  • Jiajing Mark - The Jiajing mark on Chinese porcelain refers to the reign mark of the Jiajing Emperor (r. 1521-1567) of the Ming Dynasty in China. The mark usually appears as six characters in underglaze blue on the base of the porcelain object and indicates that the object was made during the Jiajing period of the Ming Dynasty.

    The Jiajing reign was a time of great artistic production and experimentation in China, particularly in the field of porcelain. The Jiajing Emperor was a patron of the arts and his reign saw the development of new decorative techniques and styles, including the use of underglaze blue decoration, which became a hallmark of Ming Dynasty porcelain.

    It should be noted that not all porcelain objects with a Jiajing mark are necessarily from the Jiajing period, as the mark has been copied and imitated by later generations of potters.
  • Lappet Decoration - In the context of furniture, ceramics, and oriental wares, the word "lappet" refers to a decorative motif that consists of a repeated pattern of stylized or abstracted "lappets."

    A lappet in this context is a decorative element that resembles a small, hanging flap of cloth or fabric, but rather are stylized patterns that resemble the shapes and folds of lappets. They can be found on a wide range of objects, including furniture, vases, bowls, and plates.

    Lappet decoration can take many different forms, but typically consists of a series of semi-circular or pointed shapes that are repeated in a continuous pattern. The shapes may be simple or highly ornate and may be arranged in a regular or irregular pattern. The design may also include other decorative elements, such as floral or foliate motifs.

    Lappet decoration is often associated with Asian design traditions, and can be found on a wide range of objects from these regions, including Chinese porcelain, where lappet decoration is often used as a symbol of abundance and prosperity, and is believed to have protective and auspicious qualities.

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