Four Flight Barr & Barr Worcester 'Red spot' pattern tea wares:…
click the photo to enlarge
Four Flight Barr & Barr Worcester 'Red spot' pattern tea wares: a tea bowl and saucer, two coffee cans, circa 1783-1792 period, the spiral fluted quartet with gilded bands and puce and purple floral spot patterns linked with wavy gold ribbons, saucer marked 'Flight' in puce, tea bowl marked B, height 6.5 cm, (cup) diameter 14 cm, (saucer)

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Coffee Can - A coffee can is a cup for holding coffee, but of a cylindrical shape rather than the waisted shape of traditional cups. They were in use at the end of the 18th century and in the early 19th century.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.

This item has been included into following indexes:

Visually similar items

A Worcester trio, circa 1770 decorated in puce en Camaieu with Meissen style pattern of flowers and insects in gilded rococo style cartouches, (3). Provenance: Private Collection Victoria

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A group of three Chinese blue-and-white bowls and a wucai bowl, Wanli to Kangxi period various sizes from 10.5 cm to 14.2 cm diam. (4). Provenance: NSW Private Collection. The Wanli blue-and-white bowl: Oriental Ceramics and Other Works of Art, Lawsons's,

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A forty four part Royal Doulton dinner service, 1935 - 1965, period of production, Raby rose pattern D5533, a setting for six including: dinner, entree plates, soup bowls, coffee cans and saucers, a large milk jug and sugar bowl, a small milk jug and sugar

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Meissen porcelain suite of two cups and one saucer, pink ground and reserves of birds and insects

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.