A cold painted spelter figure of a pheasant by Irenee Rochard,…
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A cold painted spelter figure of a pheasant by Irenee Rochard, circa 1930, the figure of a proud pheasant, the handsome plumage picked out in gold, raised upon a navette shaped black marble support above a long black marble base with rounded ends, etched mark of Rochard to the base, height 34 cm, width 53 cm, depth 14 cm

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  • Cold Painted - This is term applied to so-called "Vienna bronzes" manufactured in that city starting in late part of the 19th century, and it continued in the early 20th century, but was also used by sculptors working in other areas of Europe at the time..

    Traditionally bronzes are finished by treating them with various acids and chemicals and heats, and the patina is incorporated into the surface of the piece.

    A cold-painted bronze is decorated with oil paints. The color was not fired, hence the term "cold painted". Reputedly the painting was carried out mainly by women working at home, a typical cottage industry.
  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Navette - Navette, the French word for (weaver's) shuttle, means shuttle shaped, and is used to describe shapes in jewellery, ceramics and silver.
  • Spelter - Spelter was the name given to an alloy of zinc and brass or copper used in the 19th century for statuary and lighting. It is a brittle bluish-white metal. It was used as a cheap replacement for bronze, but being brittle easily breaks and can't be repaired. When finished it can often be mistaken for bronze, but if discreet a scratch on the base displays shows a greyish colour, the metal is spelter, if a golden colour the metal is most likely bronze.

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