Napoleon III kingwood and marquetry cabinet, c. 1870, with shaped white marble top above two panelled doors inlaid with musical and floral trophies, flanked by two gilt metal caryatid busts, height 104 cm width 103 cm depth 41 cm. provenance: Purchased from Frasers Antiques, Sydney, September 1987, the Estate of J. Belfer, Sydney
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- Provenance - A term used to describe the provable history of an antique or work of art, and thus an additional aid to verifying its authenticity. Provenance can have an inflating effect on the price of an item, particularly if the provenance relates to the early settlement of Australia, a famous person, or royalty. Less significant are previous sales of the item through an auction house or dealer.
- Caryatid - A Greek term that in architecture applies to a carved or cast female figures that acts as a column or pillar, supporting an entablature on her head.
In decorative arts , in furniture of the Renaissance and Classical Revival periods. Male figures are known as Atlantes.
Carved figures are rare on Australian furniture until the later 19th century, Australian craftsmen generally preferring to adopt the designs of the pattern books to rather more simple forms, such as scrolls or columns.
- Inlay - Decorative patterns inserted into the main body of a piece of furniture, generally in wood of contrasting colour and grain, though brass, ivory, ebony, shell and sometimes horn have been used. Inlay may consist of a panel of well figured timber inset into a cabinet door front, geometric patterns, or complex and stylized designs of flowers, swags of foliage, fruits and other motifs. As a general rule, in pieces where the carcase is constructed in the solid, the inlay is relatively simple such as stringing, cross banding and herringbone banding. Where more elaborate and decorative work was required veneer was used. Inlay has been fashionable from at least the latter half of the 17th century, when a variety of elaborate forms were developed
- Marquetry - In marquetry inlay, contrasting woods, and other materials such as ivory, shell and metal are inlaid either as panels or in a single continuous sheet over the surface of the piece. The design may be straightforward, such as a shell pattern or a basket of flowers, or it may be infinitely complex, with swirling tendrils of leaves, flowers and foliage, such as one finds, for example, in the "seaweed" patterns on longcase clocks of the William and Mary and Queen Anne periods.
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