Opalescent Mistletoe Vase by Rene Lalique

A Rene Lalique Gui vase, designed 1920, the ovoid body moulded…
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A Rene Lalique Gui vase, designed 1920, the ovoid body moulded with a continuous pattern of overlapping mistletoe, in opalescent glass with a pale grey patina, moulded R. Lalique and inscribed R. Lalique France, 17 cm high. Provenance: Renee Antiques, New York, Mr Hans Mueller and Mrs Gertrud Mueller, Sydney, acquired from the above on 30 August 1988. Literature: Felix Marcilhac, R. Lalique, Catalogue Raisonne De L'Oeuvre de Verre, Editions de l'Amateur, Paris, 2004, no. 948, p. 427 (illustrated, another example)

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  • Patination / Patina - In broad terms, patination refers to the exterior surface appearance of the timber, the effect of fading caused by exposure to sunlight and air over the course of a century or more, changing the piece to a soft, mellow colour.

    As patina is very difficult to replicate, it is one of the most important guides to determining the age of furniture.

    Patina is also the term applied to the bloom or film found on old bronzes due to oxidisation.
  • Oviform /ovoid - The outline loosely resembling the shape of an egg.
  • Opalescent / Opaline - The descriptions of glass as "opalescent" or "opaline" are often used interchangeably by dealers and auction houses. At the upper end of the scale, opalescent / opaline glass can refer to the opal-like milky blue glass produced by Lalique and Etling. It also refers to the pressed glass mass produced in Britain from the 1840s with a milky white edge as sugar-basins, milk jugs and vases were made in great quantities for the mass market, and were sold at fairs along with Staffordshire figures and wooden dolls. A less common type of opalescent glass was made from two layers of glass blown into a mould.

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