A Rene Lalique Actinia vase, designed 1934, the waisted…
click the photo to enlarge
A Rene Lalique Actinia vase, designed 1934, the waisted cylindrical body moulded with a wavy design reminiscent of plant fronds, in frosted and clear glass with a sepia patina, acid etched R. Lalique, 22 cm high. Provenance: Renee Antiques, New York, Mr Hans Mueller and Mrs Gertrud Mueller, Sydney, acquired from the above on 1 October 1989. Literature: Felix Marcilhac, R. Lalique, Catalogue Raisonne De L'Oeuvre de Verre, Editions de l'Amateur, Paris, 2004, no. 10-889, p. 462 (illustrated, another example)

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Acid Etched - Acid etching is often used on glass, metals, and stone to create decorative finishes or to prepare the surface for further treatment or coating. The process of acid etching involves applying an acidic solution, such as hydrochloric acid or nitric acid, to the surface of the material and allowing it to react with the surface. The acid etches away a thin layer of the material, creating a rough, uneven finish. Acid etching can be used to create a variety of different finishes, from a subtle matte finish to a more pronounced, textured finish.
  • Etched - Glass decorated with an etched design, which is achieved through marking out the pattern, protecting the area that is not be etched, and then immersing the object in acid to dissolve the surface of the unprotected area. With some glass objects, such as cameo glass, there may be several layers of different coloured glass, and part of the top layer is dissolved leaving the bottom layer as the background. The longer the time of exposure of the object to acid, the deeper the etching.

    The word etching is also sometimes used to describe another method of decoration, where wheel grinders were used decorate the surface, but this technique is usually known as engraving.
  • Patination / Patina - In broad terms, patination refers to the exterior surface appearance of the timber, the effect of fading caused by exposure to sunlight and air over the course of a century or more, changing the piece to a soft, mellow colour.

    As patina is very difficult to replicate, it is one of the most important guides to determining the age of furniture.

    Patina is also the term applied to the bloom or film found on old bronzes due to oxidisation.

This item has been included into following indexes:

Visually similar items

A Rene Lalique Actinia 10-889 vase, designed 1934, the frosted and blue stained vase with spiraling design, inscribed R. Lalique France', 22 cm high. Literature, Felix Marcilhac, R. Lalique, Catalogue Raisonne, de L'oeuvre De Verre, Paris, 2004, p. 462 (il

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Rene Lalique Actinia opalescent glass vase of baluster shape with blue stained, writhen moulded, wheel cut decorations, signed R. Lalique', this model was introduced in 1934

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Rene Lalique Dauphins vase, designed 1932, the sides with golden brown staining and fluorescent dolphins amongst rippling waves, signed R. Lalique, France', 13.8 cm high, Literature, Felix Marcilhac, R. Lalique, Catalogue Raisonne De L'Oeuvre de Verre, E

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Rene Lalique Coq Et Plumes vase, designed 1928, the tapering cylindrical body moulded to the lower section with cockerels gathered amongst reeds, in frosted and clear glass with a blue patina, acid etched R. Lalique France, 15.5 cm high. Provenance: Mr H

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.