A pair of Bow soft paste huntsman and his lady figures, circa 1760, one bearing original Ackerman of New York label, in soft lavender blue, pink and lemon colours, he in a peaked cap and holding a musket, a dog at his side, and she holding a falcon, with small bocages and encrusted flowers to the high set rococo bases picked out in turquoise; small square candleholder apertures to the back; some losses and repairs, height 21 cm
You must be a subscriber, and be logged in to view price and dealer details.
Subscribe Now to view actual auction price for this item
When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.
This item has been sold, and the description, image and price are for reference purposes only.
- Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
- Ackermann, Rudolph - Rudolph Ackermann (1764 - 1834) was born in Saxony and is best known as a publisher of decorative coloured prints in London.
His early career demonstrated an entrepreneurial bent that was to lead to his success as a businessman in London.
At the age of 15 he was apprenticed to a saddler, and three years later moved to Dresden to train as a (horse-driven) carriage designer.
He later lived in Switzerland, France and Belgium for short periods, before moving to London in 1787.
He set up a successful business as a coach designer and decorator and in 1795 diversified his interest to include publishing and bookselling. His first decorative hand-coloured prints appeared in 1797. His output included political and social caricatures by leading artists of the day.
From 1809-1829 he published "Ackermann's Repository of Arts", an illustrated annual British periodical which covered arts, literature, commerce, manufactures, fashions, and politics, and had great influence on English taste in fashion, architecture, and literature.
His most ambitious venture was "The Microcosm of London". Which was completed in 1810 in collaboration with leading artists of the day, and contained 104 large folio hand-coloured aquatints.
In the following years he published further volumes, again working with artists such as William Pyne, established branches of his business in several Central and South American cities, and set up a publishing business for his son, also called Rudolph, one of his nine children in Regent Street, London. This business was taken over by Rudolph Junior's son Arthur, and was later renamed Arthur Ackermann Ltd. and was trading as fine art dealers until 2011.
His death in 1834 was preceded by a stroke in 1833 which left him partly paralysed.
This item has been included into following indexes: