A large impressive Victorian oak cased table or bracket clock, the case ornately carved with corbel figures of a man and a woman, leaves, fruit, masks and scrolls, with a brass gallery top and lion's paw, bracket feet, the face with Arabic numerals, chapter ring and three subsidiary dials. The grand sonnerie type hand crafted movement with triple fusee striking on eight bells and chiming the quarter on a gong. Full Westminster chimes. Height overall 72 cm with pendulum and keys.
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- Fusee - The fusee movement was used in clocks and pocket watches from the mid 17th century. The fusee is a cone shaped drum within the works that is linked to the barrel of the spring, usually by a length of chain.
As the mainspring loses its tension over time, the cone shaped barrel compensates for this by increasing the tension, by pulling the mainspring tighter, thus ensuring the time remains constant.
Use of the fusee in clocks was superseded by the "going barrel" in the mid 19th century and for pocket watches at the beginning of the 19th century.
The fusee continued to be used in marine chronometers until the 1970s.
- Chapter Ring - A separate metal plate on the face of a clock, on which the numerals for the hours and sometimes parts of the hours, are displayed, usually wheel shaped and sitting on top of the dial plate. The chapter ring is often a feature of the clock and can be silvered or enamelled to stand as a contrast to its background. The hours are usually shown in Roman numerals, although in the late 19th and earlt 20th century, Arabic numerals became fashionable.
- Pendulum - The pendulum was discovered around 1602 by Galileo Galilei, and was adopted for time keeping by the Dutch mathematician and natural philosopher, Christiaan Huygens, who excelled in astronomy, physics, and horology.
The pendulum comprises a metal rod usually of brass or steel with a metal disk, known as a bob, at the end. The movement of the pendulum is driven by weights or a spring, and as a pendulum swings in a regular arc, it was found accuracy could be controlled to within a few seconds a week.
Timekeeping can be adjusted by changing the height of the bob on the rod, making the pendulum either swing slower or faster.
The disadvantage of the pendulum was that changes in temperature also changed the length of the pendulum, interfering with the accuracy of the clock, and so in the 18th century two types of mercurial pendulums were invented which countered the movement in the steel rod.
The pendulum was the world's most accurate timekeeping technology until the invention of the quartz clock, regulated by a quartz crystal, in 1927.
- Lion's Paw - The decorative lion's paw has been used in furniture, silver, and ceramics for centuries. It is a stylized representation of the paw of a lion, often depicted in a highly realistic or stylized form.
In furniture design, lion's paws were popular in the neoclassical and Empire styles of the late 18th and early 19th centuries. They were often used as feet on tables, chairs, and other pieces of furniture. The lion's paw was a popular motif for furniture makers because it added a sense of grandeur and regalness to their pieces.
In silverware design, the lion's paw was often used on the feet of tea and coffee pots, as well as on other pieces of silverware such as wine coolers and tureens. The lion's paw was often used in combination with other neoclassical motifs, such as acanthus leaves or grape clusters, to create a sense of grandeur and classical elegance.
In ceramics, lion's paws were commonly used as feet on vases, urns, and other pottery items. The lion's paw was often depicted in relief or as a highly stylized form, and was sometimes used in combination with other decorative elements, such as garlands or swags.
- Grande Sonnerie - A grande sonnerie is a striking system in a clock which strikes each quarter hour, striking one, two three or four times, followed by striking the hour on a different toned bell. The preceding hour may also be struck as each quarter hour.
- Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.
The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910.
- Movement - The technical name for the workings of a clock or watch, and does not include the dial or case.
- Oak - Native to Europe and England, oak has been used for joinery, furniture and building since the beginning of the medieval civilisation. It is a pale yellow in colour when freshly cut and darkens with age to a mid brown colour.
Oak as a furniture timber was superceded by walnut in the 17th century, and in the 18th century by mahogany,
Semi-fossilised bog oak is black in colour, and is found in peat bogs where the trees have fallen and been preserved from decay by the bog. It is used for jewellery and small carved trinkets.
Pollard oak is taken from an oak that has been regularly pollarded, that is the upper branches have been removed at the top of the trunk, result that new branches would appear, and over time the top would become ball-like. . When harvested and sawn, the timber displays a continuous surface of knotty circles. The timber was scarce and expensive and was used in more expensive pieces of furniture in the Regency and Victorian periods.
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