The 1873 Sunbury Cup Australian silver trophy for greyhound…
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The 1873 Sunbury Cup Australian silver trophy for greyhound coursing, attributed to Edward Fischer (1828-1911), the ovoid vessel in the etruscan manner, rising to a waisted neck, flanked by foliate angular scroll handles chased and engraved with scenes after Frederick Woodhouse, to the front depicting a greyhound standing amongst a rocky terrain, on a stippled ground, to the reverse a further scene depicting greyhounds in pursuit of a hare, inscribed to the neck 'Nicodemus.' above 'Winner of the Sunbury Cup / being the first run for in the Colony / owned and bred by Frederick Row / 1873', raised on a stepped circular foot engraved with a Greek-key border, unmarked but assayed as sterling silver. trophy 27 cm high, 35.5 cm high including the base. Accompanied by a letter from Russell Crowe stating his ownership. Provenance: Sport in Australia, Christie's Australia, Melbourne, 4 October 2000, lot 722. Mr Russell Crowe, Sydney, acquired from the above

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  • Engraving - The method of decorating or creating inscriptions on silver and other metal objects by marking the surface with a sharp instrument such as a diamond point or rotating cutting wheel.
  • Attributed - A cataloguing term where the item in the opinion of the cataloguers, is a of the period of the artist, craftsman or designer, and which probably in whole or part is the work of that person.
  • Etruscan Revival Style - The Etruscan revival style is based on the ancient art and architecture developed by the Etruscan civilization that lived in central Italy between the 8th and 3rd centuries BCE. In ceramics and decorative arts the Etruscan style is characterised by its ornate and intricate designs, as well as its use of vibrant colours. Etruscan pottery was often decorated with scenes from daily life, myths and legends, and animal and floral motifs, rendered in relief or painted. Etruscan metalwork, such as jewellery and vessels, also displayed a high degree of skill and sophistication, with intricate designs featuring mythical creatures and animals. Additionally, the Etruscan style is known for its use of the bucchero technique, which involved creating a black, matte surface on pottery by reducing the oxygen in the firing process. This style of decoration was widely adopted by other cultures in the ancient Mediterranean world.
  • Oviform /ovoid - The outline loosely resembling the shape of an egg.
  • Sterling Silver - Sterling silver is a mixture of 92.5% pure silver and 7.5% of another metal, usually copper. Fine silver is 99.9% pure silver, and is relatively soft and the addition of the very small amount of copper gives the metal enough strength and hardness to be worked into jewellery, decorative and household objects.
  • Etruscan - The Etruscans were pre-Roman people who mainly inhabited central and part of north Italy, in the area corresponding to Tuscany. The civilisation was active from around 700BC until their assimilation into the Roman Empire in around the 4th century BC.

    With the increasing importance of Rome they were virtually wiped out, for Rome would not tolerate a competitive civilization. Many Etruscan rituals and aspects of their culture were taken over by Rome: Etruscan funeral games became the Roman gladiatorial combats and the science of divination came from the Etruscans.

    They were also incredible craftsmen in precious metals. It was said that the famous Etruscan Sibylline books of received wisdom were burnt by Rome and that the emperor Claudius was the last person who could read Etruscan, a language that is still largely undeciphered.

    Black and red figure vases attributed to the Etruscans provided the basis for the Etruscan style of furniture, decorative arts and decoration first seen in Louis XVI furniture in the 1760s, and then adapted by Robert Adam in England.

    The style was characterised by the use of the red and black colourways of the vases, together with motifs such as lions, birds, sphinxes and griffins.

    Josiah Wedgwood was inspired by the civilisation, and in 1769 he opened his new ceramic factory at Stoke-on-Trent, naming it "Etruria Works". Using the modeller John Flaxman, he produced wares based on what was thought at the time, to be Etruscan themes.

    At the end of the 18th and in the early 19th century, Etruscan themes were seen in glass, jewellery and furniture, and in the 1820s Coalport China produced a range of wares based on the Etruscan themes.

    Around that time it was discovered that the archaeological treasures attributed to the Etruscans were of Greek origin, but the description of them as "Etruscan" continued.
  • Chasing - The method of decorating gold and silver objects using a punch and hammer so that the design appears in relief. Flat or surface chasing is done from the front giving the item definition, but not cutting into the metal.

    Chasing is the opposite technique to repousse, but an object that has repousse work, may then have chasing applied to create a finished piece.
  • Foliate - Decorated with leaves or leaf-like forms.
  • Assay / Assayed - Assaying is the testing of a metal, most commonly silver and gold to determine its ingredients and quality. In Britain, once an item of silver or gold has been assayed, a mark is stamped on it, certifying its purity. Known as hallmark, it derives its name from the Guild Hall of the Goldsmiths' Company, who recieved its Charter in 1327 giving it the power to assay and mark articles of gold and silver.

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