Late Victorian sterling silver footed salver, hallmarked,…
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Late Victorian sterling silver footed salver, hallmarked, Sheffield, 1900, H.A (Atkin Bros), with a pie crust border accented with shell motifs, raised on three anthemion feet, total weight 1275gm, diameter 39 cm

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  • Hallmarks - A mark stamped on articles of precious metals in Britain, since the 14th century, certifying their purity. It derives its name from the Guild Hall of the Goldsmiths' Company, who recieved its Charter in 1327 giving it the power to assay (test the purity) and mark articles of gold and silver.

    The hallmark will consist of several marks, including the:

    - silver standard mark, indicating the purity of the metal. Sterling silver is .925 pure silver.

    - the city mark indicating the city in which it was assayed eg London, Birmingham, York etc.

    - the date mark, usually a letter of the alphabet in a particular font and case,

    - a duty mark, indicating whether duty had been paid to the crown, and only in use from 1784 to 1890

    The piece may include an additional mark, the maker's mark, although not forming part of the hallmark, will be located in the vicinity of the hallmarks.

    Sometimes silver plated items will bear faux hallmarks, often confusing those not familiar with silver markings.
  • Anthemion -
    An anthemion is a classical decorative design element based on the acanthus flower that consists of a central circular or oval motif surrounded by radiating petals or leaves. It is often used as a border or frieze in architecture, furniture, and other decorative arts. The anthemion is derived from the palmette, a motif that was popular in ancient Greek and Roman art and architecture. It is often associated with the classical world and with Neoclassical style, and it is often used to add a sense of grandeur and formality to a design. The anthemion is also known as a honeysuckle or honeysuckle ornament. It continues to be used in a variety of contexts today, and it is often admired for its elegant and decorative qualities.

  • Salver - A plate or tray used for the formal offering of food, drink, letters or visiting cards, usually of silver plate, silver or silver-gilt. Large, heavy, oblong or oval silver salvers evolved into what we know as trays in the 18th century. Small, flat salvers are known as waiters.
  • Sterling Silver - Sterling silver is a mixture of 92.5% pure silver and 7.5% of another metal, usually copper. Fine silver is 99.9% pure silver, and is relatively soft and the addition of the very small amount of copper gives the metal enough strength and hardness to be worked into jewellery, decorative and household objects.
  • Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.

    The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910.
  • Scallop / Shell Motif - The shell motif has been used in furniture and decorative arts for centuries. In ancient Greece and Rome, shells were often used as decorative elements on furniture and in mosaics. The scallop or cockleshell are the most commonly used. During the Renaissance, the shell motif became popular in furniture and architecture, as the ornate decoration was seen as a symbol of wealth and luxury. In the 18th century, the Rococo style of furniture and decorative arts featured an abundance of shell motifs, and it was used by Thomas Chippendale and as a feature on Queen Anne style cabriole legs. In the 19th century, the shell motif was incorporated into Victorian furniture and decorative items, and often a representation of the the conch shell was inlaid into furniture.

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