attributed to Johann Loetz Witwe, three iridescent glass vases, c. 1900, comprising an iridescent yellow oil spot vase, and an iridescent pampas pattern vase with amethyst web, with chips to rim, and an orange and mauve oil spot vase with pewter overlay (2), height 21 cm, 17 cm, 13 cm
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- Overlay Glass - Overlay glass is coloured glass that has been created by sandwiching two or more layers of different coloured glass together. The layers are fused together through a process of heating and melting in a glass furnace, and the resulting glass has a unique colour and depth that is not found in single-layered glasses.
The technique of overlaying glass has been used for centuries, and was particularly popular in the Venetian glass industry during the Renaissance. Different colours of glass were layered to create intricate designs, and then the layers were carved and etched to create intricate patterns and details.
- Attributed - A cataloguing term where the item in the opinion of the cataloguers, is a of the period of the artist, craftsman or designer, and which probably in whole or part is the work of that person.
- Irridescent Glass - Iridescent glass has a shimmering or rainbow-like appearance due to the way it reflects light. It is created by applying a thin layer of metal oxides to the surface of the glass while it is still hot and malleable, which then creates an interference effect that produces a range of colours as the light reflects off the surface. The exact colours and patterns created by iridescent glass depend on the specific types of metal oxides used and the techniques used to apply them.
Iridescent glass was first developed in the late 19th century, and quickly became popular for use in decorative art glass and stained glass windows. Some of the most famous examples of iridescent glass were created by artists such as Louis Comfort Tiffany and his studio, who used it extensively in their distinctive lamps, vases, and other decorative objects.
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