A spelter model of a stag, 19th century, with Paris foundry…
click the photo to enlarge
A spelter model of a stag, 19th century, with Paris foundry stamp, the naturalistically modelled twelve point stag posed upon rocky ground, in cold painted bronze colours; with circular foundry stamp to the base, verso, height 44.5 cm, width 33 cm

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Verso - Verso is the "back" side of a sheet of paper, art work, coin or medal. The front side is "recto".
  • Cold Painted - This is term applied to so-called "Vienna bronzes" manufactured in that city starting in late part of the 19th century, and it continued in the early 20th century, but was also used by sculptors working in other areas of Europe at the time..

    Traditionally bronzes are finished by treating them with various acids and chemicals and heats, and the patina is incorporated into the surface of the piece.

    A cold-painted bronze is decorated with oil paints. The color was not fired, hence the term "cold painted". Reputedly the painting was carried out mainly by women working at home, a typical cottage industry.
  • Spelter - Spelter was the name given to an alloy of zinc and brass or copper used in the 19th century for statuary and lighting. It is a brittle bluish-white metal. It was used as a cheap replacement for bronze, but being brittle easily breaks and can't be repaired. When finished it can often be mistaken for bronze, but if discreet a scratch on the base displays shows a greyish colour, the metal is spelter, if a golden colour the metal is most likely bronze.
  • Bronze - An alloy of copper and tin, traditionally in the proportions of about 9 parts of copper to 1 part of tin.

    The discovery of bronze in Western Asia in the 4th century enabled people to create metal objects which were superior to those previoulsy possible because of its strength and hardness, and it has been used throughout the world for weapons, coins, tools, statuary and other decorative items.

    It is very fluid in a molten state, and its hardness, strength when set, and non-corrosive properties makes it most suitable for casting sculpture.

This item has been included into following indexes:

Visually similar items

A bronze figure of a stag by Irenee Rochard (1906-1984), circa 1930s, a silvered bronze figure of a stag raised on a stepped portoro marble base with canted edges; incised I. Rochard lower right, height 35 cm, width 25.5 cm, depth 7 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

French Art Deco bronze of a walking stag on a marble plinth. 41 cm high, 48 cm long

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A bronze animalier sculpture entitled 'Rocky Mountain Monarch' by M. Doellinger, dated 1987 ed. 4/20 on timber base. Height 38 cm.

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A pair of bronze and marble bookends in the form of long haired goats, Italian, circa 1930, signed L. Fontinelli. 26 cm high

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.