Victorian Chinoiserie Carver Chair

• Jacquard Fabric - Jacquard fabric is woven on a jacquard loom, which allows intricate and complex patterns to be created. The jacquard loom is controlled by a system of punched cards or a computer program that controls the movement of the loom and allows for the creation of complex patterns in the fabric.
  
  Jacquard fabric is known for its elaborate and detailed designs, which can include intricate floral patterns, geometric designs, and other complex motifs. The patterns are woven into the fabric, rather than printed or embroidered, which gives them a unique texture and depth.
  
  Jacquard fabrics can be made from a variety of fibress, including silk, cotton, wool, and synthetic materials. They are often used for upholstery, drapery, and other decorative applications, as well as for clothing such as dresses, suits, and jackets.
• Splat - The central back support between the top rail and the seat in chairs and couches. They may take a variety of forms, and run either horizontally or vertically.
• Cabriole Leg - The cabriole leg evolved from an elongated scroll, curving out at the knee which may or may not be carved, and forming a serpentine shape as it descends to the foot.
  
  First introduced into English furniture in the late 17th century, cabriole legs were widely used during the Queen Anne and early Georgian periods, where they frequently terminated in a pad foot or ball and claw foot. The style has had many imitators since then. The cabriole leg was re-introduced in the mid-19th century, and is commonly associated with the balloon-back dining or drawing-room chairs made in walnut, mahogany or, in Australia, cedar. The Victorian cabriole leg, on the whole, was rather more slender than the earlier form, following the French style, which emphasized the delicacy and daintiness of the chairs they were designed to support. Cabriole legs are sometimes found on windsor chairs, especially those made during the 18th century.
• Chinoiserie - Furniture and decorative items decorated in imitation of a Western interpretation of the Chinese style. The Chinoiserie style first became popular in the late 17th century, though there were frequent revivals, notably by Chippendale (hence 'Chinese Chippendale') during the Regency period, and the Anglo-Japanese style in the second half of the 19th century.
  
  The ubiquitous 'willow pattern' is the most common 'Chinese' theme used in porcelain, while on furniture the Chinoiserie style usually has black or red painted and lacquered decoration, though the hallmark of the furniture style is the use of fretwork in geometrical patterns, pagodas and other decorative forms.
  
  Japonaiseries, as the name implies, are motifs in imitation of the Japanese taste.
  
  See also "Chinese Chippendale".
• Pad Foot - In furniture design, a pad foot refers to a type of
  
  furniture foot that is shaped like a flattened ball or pad. It is a common
  
  design element in traditional furniture styles, particularly in English and
  
  American furniture from the 18th and 19th centuries. The pad foot is typically
  
  wider than it is tall, with a broad, flat surface that rests directly on the
  
  floor. It is often carved or turned with decorative details, such as fluting or
  
  ridges, and can be made from a variety of materials, such as wood, metal, or
  
  leather.
  
  
  Pad feet are used to support the legs of various types of
  
  furniture, such as chairs, tables, and cabinets. They are often used in
  
  combination with other types of feet, such as bun feet or bracket feet, to
  
  create a more complex and decorative furniture design. In terms of
  
  functionality, pad feet provide stability and support to furniture pieces, and
  
  can help distribute the weight of the piece evenly across the floor. In terms
  
  of design, they add a classic and traditional look to furniture designs, and
  
  are often used to create a sense of elegance and refinement.

• Drop in Seat - Mostly used on Regency upright chairs, a drop in (or "drop on") seat is an unsprung removable seat where the upholstery is attached to a wooden frame, which is held in place by the sides of the chair, and usually a wooden peg at the front of the chair. An inset upholstered seat is of the same construction, but it sits within a frame whose perimeter includes four sides of the chair.
  
  Because the upholstery frame was not very deep, the seats were relatively uncomfortable. In the mid 19th century coiled upholstery springs came into use and frame of the chair was used as the upholstery frame, making for a much more comfortable and responsive seat.
  
  This type of seat was known as an over-upholstered or over-stuffed seat.
• Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.
  
  The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910.

This item has been included into following indexes:

• chairs, singles / pairs / threes, style or period
  • carver or elbow chairs 252
  • Queen Anne style 21
• Furniture - Seating - Single/Pairs of Chairs (all types) - Chinoiserie 34
• furniture, material or decoration - lacquered 259
• furniture, period or style - Chinoiserie 269