A superb Victorian Cellini pattern sterling silver ewer, 1874…
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A superb Victorian Cellini pattern sterling silver ewer, 1874 London, with maker's mark for Stephen Smith, in the sixteenth century manner after Benvenuto Cellini, with richly decorated borders of masks, antelope, demi-figures and flora, with a caryatid handle and mask below the spout; hallmarked to throat, silver weight: 823gr, height 29 cm

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  • Cellini Pattern or Style - Cellini pattern or style refers to the decoration of silverware characterized by ornate, highly detailed designs. These designs often feature figures, animals, and other decorative elements that are inspired by classical mythology and the natural world. The ewers and jugs are usually made of silver and are often decorated with intricate engraving, repoussé, and chasing.

    The style is named after Benvenuto Cellini (1500-1571), a famous Italian goldsmith, sculptor and artist of the Renaissance period. Cellini's work was known for its intricate designs, which were often inspired by classical mythology and the natural world.

    They are considered to be highly decorative, high-quality pieces that are appreciated by collectors and connoisseurs.

    The Cellini style is considered a very high form of metalworking, it's very detail oriented and requires high skills, craftsmanship and time. It's usually found in high-end and luxury pieces and is often seen as symbol of status and wealth.
  • Caryatid - A Greek term that in architecture applies to a carved or cast female figures that acts as a column or pillar, supporting an entablature on her head.

    In decorative arts , in furniture of the Renaissance and Classical Revival periods. Male figures are known as Atlantes.

    Carved figures are rare on Australian furniture until the later 19th century, Australian craftsmen generally preferring to adopt the designs of the pattern books to rather more simple forms, such as scrolls or columns.
  • Hallmarks - A mark stamped on articles of precious metals in Britain, since the 14th century, certifying their purity. It derives its name from the Guild Hall of the Goldsmiths' Company, who recieved its Charter in 1327 giving it the power to assay (test the purity) and mark articles of gold and silver.

    The hallmark will consist of several marks, including the:

    - silver standard mark, indicating the purity of the metal. Sterling silver is .925 pure silver.

    - the city mark indicating the city in which it was assayed eg London, Birmingham, York etc.

    - the date mark, usually a letter of the alphabet in a particular font and case,

    - a duty mark, indicating whether duty had been paid to the crown, and only in use from 1784 to 1890

    The piece may include an additional mark, the maker's mark, although not forming part of the hallmark, will be located in the vicinity of the hallmarks.

    Sometimes silver plated items will bear faux hallmarks, often confusing those not familiar with silver markings.
  • Sterling Silver - Sterling silver is a mixture of 92.5% pure silver and 7.5% of another metal, usually copper. Fine silver is 99.9% pure silver, and is relatively soft and the addition of the very small amount of copper gives the metal enough strength and hardness to be worked into jewellery, decorative and household objects.
  • Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.

    The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910.
  • Ewer / Pitcher - A type of jug with a narrow neck bulbous body and wide spout, originally used for carrying and storing liquids such as water or wine. In medieval times they were the source of water to wash ones hands during and after a meal. later the shape was used for vessels in silver, gold, glass and ceramics.

    In Victorian times they were made in ceramics and occasionally glass with a matching basin, and sometimes other accessories such as a soap holder or toothbrush holder. Their purpose was to provide facilities for personal washing In the early 19th century were often enclosed in purpose built stands, and later resided on a washstand..

    Sometimes the words "ewer" and "pitcher" are used interchangably, but a pitcher is generally considered to be a jug, and would have a wide mouth, and a gently tapering body.

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