An Empire style ormolu figural mantle clock, 19th century, with an engine turned barrel head enclosing a turned dial and enamel chapter ring with Roman numerals, flanked by a classical harvest figure and a pillar with a tazze of fruits, above a rectangular base with bun feet, decorated with festoons, trophies and swan motifs, with key and pendulum, height 30.5 cm, width 23 cm, depth 9.5 cm
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- Engine Turned - Engine turning is a decorative technique used on metal surfaces to create intricate curving or geometric pattern. The process involves cutting a series of lines into the surface of the metal using a rose engine or decoration lathe which rotates the metal as it cuts, allowing the operator to create a repeating pattern that covers the entire surface. The resulting surface has a shimmering, reflective quality that is often described as "engine turned." Where an engine turned item has been enamelled, the term used to describe the decoration is usually guilloche.
Engine turning was originally developed to decorate metal objects such as firearms, scientific instruments, and other metal objects that required precise and elegant design.
- Barrel (in a Clock) - In a clock or watch, the barrel is a cylindrical component that stores the energy from the mainspring. As the mainspring is wound, it stores energy in the barrel. As the clock or watch runs, the energy is gradually released from the barrel, turning the clock's gears and keeping the time.
The barrel is typically located near the centre of the movement (the mechanism that powers the clock) and is connected to the center wheel, which drives the rest of the gears. The barrel typically has teeth on its outer surface that mesh with the gears in the movement, allowing it to transmit energy to the rest of the clock. Some barrels are designed to be wound by hand, while others are automatically wound by the motion of the wearer's arm.
- Chapter Ring - A separate metal plate on the face of a clock, on which the numerals for the hours and sometimes parts of the hours, are displayed, usually wheel shaped and sitting on top of the dial plate. The chapter ring is often a feature of the clock and can be silvered or enamelled to stand as a contrast to its background. The hours are usually shown in Roman numerals, although in the late 19th and earlt 20th century, Arabic numerals became fashionable.
- Pendulum - The pendulum was discovered around 1602 by Galileo Galilei, and was adopted for time keeping by the Dutch mathematician and natural philosopher, Christiaan Huygens, who excelled in astronomy, physics, and horology.
The pendulum comprises a metal rod usually of brass or steel with a metal disk, known as a bob, at the end. The movement of the pendulum is driven by weights or a spring, and as a pendulum swings in a regular arc, it was found accuracy could be controlled to within a few seconds a week.
Timekeeping can be adjusted by changing the height of the bob on the rod, making the pendulum either swing slower or faster.
The disadvantage of the pendulum was that changes in temperature also changed the length of the pendulum, interfering with the accuracy of the clock, and so in the 18th century two types of mercurial pendulums were invented which countered the movement in the steel rod.
The pendulum was the world's most accurate timekeeping technology until the invention of the quartz clock, regulated by a quartz crystal, in 1927.
- Ormolu - Ormolu was popular with French craftsmen in the 18th and 19th century for ornamental fittings for furniture, clocks and other decorative items. True ormolu is gilt bronze, that is bronze that has been coated with gold using a mercury amalgam. Due to the health risks associated with using mercury, this method of creating ormolu was discontinued in France in the 1830s. A substitute was developed consisting of about 75% copper and 25% zinc, however it was inferior to the bronze version. It was often lacquered to prevent it tarnishing.
- Empire Style - The Empire style was a version of neo-classicism popular from 1800 to 1830, coinciding with the rule of Napoleon I from 1840-15. In England the style corrosponds with the Regency style and in the United States to the Federal style.
The style is inspired by classical Rome and Greece, as reflected in the decorative motifs in the the design such as paterae, guilloches, acanthus and swags, and pieces are lavishly decorated with applied gilded decoration.
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