A 19th century chinoiserie lacquer sewing work table, decorated…
click the photo to enlarge
A 19th century chinoiserie lacquer sewing work table, decorated in traditional gilt patterns, the lid lifts to reveal multiple lidded compartments to hold sewing accessories, on lyre shape legs, stretcher base with conforming gilded decoration, the top has been re-lacquered. 63.5 cm x 43 cm x 69 cm.

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Lyre Motif - The lyre motif is an ancient decorative design that is believed to have originated in ancient Greece, where the lyre was a popular musical instrument. The lyre itself was often decorated with ornate carvings and designs, including the iconic lyre motif.

    In ancient Greek mythology, the lyre was associated with the god Apollo, who was the patron of music and the arts. The lyre was said to have been invented by the god Hermes, who presented it to Apollo as a gift. As a result, the lyre became a symbol of creativity, inspiration, and artistic expression.

    The lyre motif typically features a curved or S-shaped body, with strings extending upwards from the base. The motif was often used in architectural decoration, as well as on pottery, jewellery, and other decorative objects.
  • Stretcher - A horizontal rail which connects the legs of stools, chairs, tables and stands, to provide stabilisation of the legs. A stretcher table is any table with a stretcher base. The term is usually applied to substantial farmhouse tables, although many cabinetmaker's pieces, such as sofa tables, also have turned stretchers.
  • Chinoiserie - Furniture and decorative items decorated in imitation of a Western interpretation of the Chinese style. The Chinoiserie style first became popular in the late 17th century, though there were frequent revivals, notably by Chippendale (hence 'Chinese Chippendale') during the Regency period, and the Anglo-Japanese style in the second half of the 19th century.

    The ubiquitous 'willow pattern' is the most common 'Chinese' theme used in porcelain, while on furniture the Chinoiserie style usually has black or red painted and lacquered decoration, though the hallmark of the furniture style is the use of fretwork in geometrical patterns, pagodas and other decorative forms.

    Japonaiseries, as the name implies, are motifs in imitation of the Japanese taste.

    See also "Chinese Chippendale".
  • Lyre - Attributed to the 18th century designer Robert Adam, the back splat of a chair or sthe supports of a table are in the form of a lyre, a Greek musical instrument similar to a harp.

    In shape it resembles two reversed scrolls.

    Chairs continued to be made in this style for at least the next fifty years.

    In Australia many cedar chairs and tables have survived dating to the 1830s and 1840s, featuring the lyre shape in the back splats and as supports for small tables.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.

This item has been included into following indexes:

Visually similar items

An Australian sterling silver toast rack, Hardy Bros, circa 1930

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Surfboard 9 feet 5 inches x 25 inches x 3 inches, Gordon Woods Balsa centre stringer with two foam stringers made approximately 1966/67 original condition

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

George III mahogany chest of drawers, early 19th century, with two short and three long drawers with brass handles on splayed bracket feet, height 122 cm width 108 cm depth 53 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A pair of South Sea pearl and diamond earrings, each earring featuring a round pearl of creamy hues, measuring 13.5 mm, to an open foliate style stud fitting, in 18ct gold.

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.