Copper Medal By Oudine - With Original Presentation Case: Medal…
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Copper Medal By Oudine - With Original Presentation Case: Medal 86 mm, 309g. obverse: A robed figure representing the Paris Exposition standing in front of the exhibition halls holding a laurel wreath in each hand above the heads of figures representing the Arts and Sciences, including Mercury to her left, and the emblems of Music and Industry. Two small cherubs at her feet represent Peace and Plenty (wheat and the harvest), and a partly-robed reclining figure in exergue holds a cornucopia overflowing with grapes and lies on the water. Border inscription: Exposition Universelle Internationale Mdccclxxviii. Inscribed in exergue Oudine. Reverse: Two winged putti hold a scroll comprising a layout of the exhibition space. The inscription on either side of the central scroll: L'An Mdccclxxvii Le Huitieme De La Republic FRANCse. Le Marechal De Mac-Mahon Due De Magenta. Etant President Teisserenc De Bort.etc. Border: Republique Francaise. Des Batiments De L'Exposition Universelle Du Champ De Mars Et Du Trocadero. In exergue Oudine. Presented to Monsieur Turquetil for Services Rendered.

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  • Cornucopia - The cornucopia, literally the horn of plenty, is a symbol of abundance and wealth. It is traditionally is represented by a curved goat horn overflowing with grain and fruit.

    Modern cornucopias are often depicted as horn-shaped baskets filled with food, and this symbol is often associated with the harvest. This decorative device has a long and ancient history, with roots in Greek mythology.

    In one version, when Zeus was playing with the goat Amalthea he accidentally broke off one of her horns. To atone for this, Zeus promised Amalthea that the horn would always be full of whatever fruits she desired. This became the cornucopia of the Roman goddess Copia, the personification of plenty. Other goddesses, including Fortuna and Pax, also held the cornucopia.

    In furniture and decorative arts, cornucopia as a decorative element have been popular since the 16th century and can be found on items as diverse as light fittings and candelabra to clocks, sculpture and statuary and furniture.

    In ceramics, cornucopia shaped vases were popular in the 19th century, in singles and pairs.
  • Putto / Putti / Amorino / Amorini - A putto (plural: putti) or amerino (plural: amerini) is a cherub or cupid frequently appearing in both mythological and religious paintings and sculpture, especially of the Renaissance and Baroque periods and later used as a decorative element in the design of furniture, ceramics, statuary etc. They are usually depicted as chubby males, or of indeterminate gender, often with wings. Their depiction may represent an association with love, heaven, peace or prosperity.
  • Laurel Leaf - The use of the laurel leaf as a decorative element can be traced back to ancient Greece and Rome, where it was closely associated with victory and honour. In these cultures, the laurel was a sacred tree that was dedicated to the god Apollo and was believed to have protective and healing properties.

    In ancient Greece, the laurel wreath was awarded to victors in athletic competitions, such as the Olympic Games, as a symbol of their achievement. The wreath was also associated with academic achievement, and was often worn by scholars and poets. The Greeks also used the laurel leaf as a symbol of victory in war, and it was often depicted in artwork alongside images of triumphant warriors and heroes.

    The Romans continued this tradition, and the laurel wreath became a symbol of the highest military honor, the triumph, awarded to victorious generals. The wreath was also used to crown emperors and other important officials, and was often depicted in Roman art and architecture as a symbol of power and authority.

    The laurel leaf is still used as a symbol of achievement, success, and excellence, and is frequently used in logos, emblems, and other branding materials. Its association with victory and honour has made it a popular choice for awards, medals, and other forms of recognition.
  • Obverse - Obverse means the front face of a coin or medal, and the reverse means the back face. The obverse of a coin is commonly called heads, because it often depicts the head of a monarch or famous person.

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