An opal set Edwardian bee brooch, 18ct yellow gold, made as a…
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An opal set Edwardian bee brooch, 18ct yellow gold, made as a bar brooch styled piece, centrally featuring a stylised bee, detailed to body with a single solid cabochon white opal, claw set, a red paste stone to adjoining body, seed pearls set to wings, mounted to a scrolled bar with pin and safety chain. Length 5.2 cm,

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  • Bee Motif - The bee is a popular motif in jewellery design, often used to symbolize industry, hard work, and the natural world. They can be depicted in a variety of styles, from realistic to stylized, and are often used as a decorative element on rings, pendants, earrings, and other types of jewellery. In many cultures, bees are also seen as a symbol of prosperity and good luck, making them a popular choice for talismanic jewellery. Some people also choose to wear bee-themed jewellery as a way to show support for the conservation of bees, which are important pollinators that play a vital role in the health of ecosystems around the world.
  • Cabochon Cut in Jewellery - A cabochon cut is a type of gemstone cutting where the stone is cut and polished in a convex shape with a flat bottom and a domed top, with no facets. This type of cut is typically used for opaque or translucent stones that have natural patterns or inclusions that are best displayed in this type of cut. Examples of stones that are often cut as cabochons include turquoise, opal, and moonstone.
  • Edwardian - The Edwardian period of English furniture and decorative arts design is named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910. It follows the Victorian period, in turn was followed by the Art Nouveau and Art Deco styles. In Australia, designs of this period are also known as being in the Federation style.
  • Paste / Rhinestone / Diamante - Paste (or rhinestone or diamante) is the name given to a coloured glass composition used for imitation gemstones, or to imitation gemstones made of glass.

    Although the technique of glassmaking had been known for thousands of years, but it wasn't until a lead glass with similar optical properties to diamonds were invented by a German jeweller working in Paris (either "Stras" or 'Strasser") in the early 18th century that "paste" gemstones became popular.

    There was no social stigma attached to wearing imitation stones, and they were worn in situations where highway robbery was a possibility. The 18th century settings were of very high quality, equivilent to real gemstone jewellery.

    In the nineteeth century the quality of paste jewellery declined and it has remained the poor cousin to genuine gemstones ever since.

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