A Victorian ebonised and mother of pearl inlaid salon suite,…
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A Victorian ebonised and Mother of pearl inlaid salon suite, comprising a three seater settee and four side chairs, each with brass griffin inlay and upholstered in a fine floral silk.

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  • Parquetry - Parquetry is inlay laid in geometric patterns, the contrast being achieved by the opposing angles of the grain and veneers. The herringbone pattern is the most commonly used in flooring, but this is almost never seen in furniture - the patterns used are more complex and unlike flooring, can include several different varieties of timber.
  • Mother-Of-Pearl - Mother-of-pearl, technical name "nacre", is the inner layer of a sea shell. The iridescent colours and strength of this material were widely used in the nineteenth century as an inlay in jewellery, furniture, (especially papier mache furniture) and musical instruments.

    In the early 1900s it was used to make pearl buttons. Mother-of-pearl is a soft material that is easily cut or engraved.

    Nowadays it is a by-product of the oyster, freshwater pearl mussel and abalone industries.
  • Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.

    The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910.
  • Inlay - Decorative patterns inserted into the main body of a piece of furniture, generally in wood of contrasting colour and grain, though brass, ivory, ebony, shell and sometimes horn have been used. Inlay may consist of a panel of well figured timber inset into a cabinet door front, geometric patterns, or complex and stylized designs of flowers, swags of foliage, fruits and other motifs. As a general rule, in pieces where the carcase is constructed in the solid, the inlay is relatively simple such as stringing, cross banding and herringbone banding. Where more elaborate and decorative work was required veneer was used. Inlay has been fashionable from at least the latter half of the 17th century, when a variety of elaborate forms were developed
  • Ebonised - Timber that has been stained or lacquered black in imitation of ebony. The process has been used since the Renaissance, but is most commonly found in late 19th century furniture, sometimes gilded and turned in imitation of bamboo. Furniture with an ebonised finish is not currently in vogue, and this is reflected in the price for such pieces.
  • Griffin / Griffon / Gryphon - A griffin, also known as a griffon or gryphon, is a mythical creature with the body of a lion and the head of an eagle. It is typically depicted as a powerful and majestic beast, with the body and legs of a lion and the head, wings, and talons of an eagle. The griffin is widely recognized as a symbol of strength, courage, and guardianship, and has been used in a variety of cultures throughout history.

    In ancient mythology, the griffin was often associated with the gods and was considered a symbol of divine power. In ancient Greece, for example, the griffin was associated with the sun god Helios, while in ancient Egypt, it was associated with the goddess Hathor. In medieval European heraldry, the griffin was used as a symbol of strength, valour, and protection, and was often featured on the coats of arms of noble families.

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