William Moorcroft, salt glaze vase, c. 1925, Landscape' pattern, decorated with five trees on a landscape background, signed in blue 'W. Moorcroft', impressed 'Moorcroft made in England', height 24 cm. Provenance: Private Collection, NSW
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- Dating English Ceramics - Excellent detailed reference books such as Godden's Encyclopaedia of British Pottery and Porcelain Marks will help to identify and date specific manufacturer's marks.
However, there are a few simple guidelines which may also help.
The inclusion of the word 'England' on an item ensured compliance with the American McKinley Tariff Act 1891, which was important for British exporters. An item so marked would have been made after 1891.
In 1921 the act was revised to require the phrase 'Made in' followed by the country. So if an item is marked 'Made in England', it is generally considered to be made after that date, although some manufacturers were using this phrase pior to the act being changed.
The use of the word 'Ltd' of 'Limited' after a company's name indicates a date after 1860, though with ceramic manufacturers this did not become general practice until the 1880's.
- Salt Glazed - Salt glazing involves throwing salt into the kiln when it is at its highest temperature, usually around 2,300 to 2,400 degrees Fahrenheit (1,260 to 1,320 degrees Celsius). The salt vaporizes and forms a glaze on the surface of the pottery, creating a range of effects depending on how the salt is applied and the firing conditions. This glazing method was first developed in Germany in the 15th century and quickly became popular throughout Europe and North America. It was particularly popular for making stoneware pottery, such as jugs, crocks, and other utilitarian objects.
Salt glazes can produce a range of colors, including gray, brown, blue, and even pink or purple in some cases. The texture of the glaze is typically rough and pebbled, with a matte or satin finish. The process of salt glazing can be unpredictable, with variations in temperature and salt application leading to subtle variations in the finished product.
Salt glazing is still used by potters and ceramic artists although it is less common than it was in the past.
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