Antique Etruscan Revival Pietra Dura Floral Brooch

• Carat - A carat (abbreviated "ct") is a unit of measurement used to describe the weight of a diamond or other gemstone, and separately is a unit of measurement used to describe the weight of precious metals such as gold,.
  
  For gemstones, one carat is equal to 0.2 grams or 200 milligrams. The weight of a diamond is one of the Four Cs (along with cut, colour, and clarity) that are used to determine a diamond's value.
  
  It is important to note that a diamond's weight does not necessarily correspond to its size. A diamond's cut, which affects how well it reflects light, can make a diamond of a lower weight appear larger than a diamond of a higher weight. Additionally, the carat is not the only factor to determine the value of a diamond, other factors such as clarity, colour and cut are important too.
  
  In the gold industry, the purity of gold is measured in carats (abbreviated "ct"), with 24 karats being pure gold and lower carat numbers indicating a lower purity level. So, for example, 18 carat gold is 18/24 or 75% pure gold, and 12 carat gold is 12/24 or 50% pure gold.
• Hardstone - Hardstone is not a scientific name for a particular gemstone, but a word used to describe any one or more semi-precious stones used in jewellery and decorative arts, and can include jade, agate, onyx, rock crystal, amber, jet and carnelian. Softer stones and minerals such as soapstone, and alabaster and hard stones used in building such as marble or granite are generally excluded.
• Greek Key Pattern - The Greek key pattern is a decorative design that consists of continuous interlocking vertical and right-angled lines that form a repeating motif. It is also known as "Meander" or "Greek fret." The pattern is thought to have originated in ancient Greece, where it was used in various decorative arts, such as pottery, metalwork, and architectural elements. The Greek key design is widely used in a variety of contexts, including classical architecture, decorative arts, furniture, interior design and textiles. The pattern is considered timeless and classic, and its geometric simplicity makes it a popular choice for designers in many different fields.
• Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.
  
  The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910.
• Pietra Dura / Florentine Mosaic - Pietre dura, also known in English as "Florentine mosaic" is a decorative art that originated in Renaissance Italy and involves the creation of intricate, multi-layered inlaid designs using a variety of different coloured stones. The name "pietre dura" is Italian for "hard stones," and refers to the use of hard, durable materials such as marble, agate, jasper, and other semiprecious stones in the creation of the designs.
  
  The origin of pietre dura can be traced back to ancient Rome, where the technique was used to create intricate inlaid designs for mosaic floors, walls, and other architectural elements. During the Renaissance, the technique was revitalized in Italy and became particularly associated with the city of Florence. The court of the Grand Duke of Tuscany, Cosimo I de' Medici, was a major patron of pietre dura and employed many of the leading artists and craftsmen of the time to create a wide range of objects, from small items like jewelry boxes and vases to large panels and furniture.
  
  In the 19th century, pietre dura was used to create a wide range of decorative objects, from furniture and decorative panels to small items like jewelry boxes, vases, and picture frames. During this time, the technique was particularly popular in Europe, where it was used to create elaborate pieces of furniture and other decorative objects for the wealthy and aristocratic classes.
  
  In addition to traditional pietre dura objects like cabinets, tables, and vases, the 19th century saw the development of new forms of pietre dura, such as book covers, cigar boxes, and other small items. This was largely due to the advent of new, more affordable production techniques and materials, which allowed for the creation of pietre dura objects on a larger scale and at a lower cost.
• Etruscan - The Etruscans were pre-Roman people who mainly inhabited central and part of north Italy, in the area corresponding to Tuscany. The civilisation was active from around 700BC until their assimilation into the Roman Empire in around the 4th century BC.
  
  With the increasing importance of Rome they were virtually wiped out, for Rome would not tolerate a competitive civilization. Many Etruscan rituals and aspects of their culture were taken over by Rome: Etruscan funeral games became the Roman gladiatorial combats and the science of divination came from the Etruscans.
  
  They were also incredible craftsmen in precious metals. It was said that the famous Etruscan Sibylline books of received wisdom were burnt by Rome and that the emperor Claudius was the last person who could read Etruscan, a language that is still largely undeciphered.
  
  Black and red figure vases attributed to the Etruscans provided the basis for the Etruscan style of furniture, decorative arts and decoration first seen in Louis XVI furniture in the 1760s, and then adapted by Robert Adam in England.
  
  The style was characterised by the use of the red and black colourways of the vases, together with motifs such as lions, birds, sphinxes and griffins.
  
  Josiah Wedgwood was inspired by the civilisation, and in 1769 he opened his new ceramic factory at Stoke-on-Trent, naming it "Etruria Works". Using the modeller John Flaxman, he produced wares based on what was thought at the time, to be Etruscan themes.
  
  At the end of the 18th and in the early 19th century, Etruscan themes were seen in glass, jewellery and furniture, and in the 1820s Coalport China produced a range of wares based on the Etruscan themes.
  
  Around that time it was discovered that the archaeological treasures attributed to the Etruscans were of Greek origin, but the description of them as "Etruscan" continued.

This item has been included into following indexes:

• brooches, floral design - floral design, gold mounted 914
• brooches, set with
  • jade, jadeite, hardstone 218
  • pietra dura 39
• Etruscan style jewellery - brooches, period or age 60
• pietra dura - jewellery 73