A 20th century silver salver, piecrust rim with guilloche…
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A 20th century silver salver, piecrust rim with guilloche embellishment, with shell, acanthus and husk motifs. Birmingham 1941 by William Suckling Ltd, 700gm, dia.29 cm.

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  • Guilloche - A form of classical decoration consisting of a repeating ornament of interlacing curved bands, sometimes forming circles, and further decorated with rosettes or other flower forms.

    The name is derived from the inventor, French engineer Guillot, who invented a mechanical method of inscribing fine repeating patterns on to metallic surfaces.

    On enamelled items with guilloche decoration, the surface is firstly engraved with the repeating pattern, and then covered with several layers of enamel, each of which is fired.

    Where the item has not been enamelled the form of decoration is usually called "engine turned".
  • Salver - A plate or tray used for the formal offering of food, drink, letters or visiting cards, usually of silver plate, silver or silver-gilt. Large, heavy, oblong or oval silver salvers evolved into what we know as trays in the 18th century. Small, flat salvers are known as waiters.
  • Acanthus - A stylized leaf motif, one of the primary decorative elements of classical Greek and Roman architecture, derived from the genus of flowering plants in the family Acanthaceae, native to tropical and subtropical regions of the Mediterranean area. It is a common element in classical Greek and Roman design, and is often seen in Corinthian and Composite order columns and used as a decorative element in English, European and Australian furniture, particularly on the curve of a leg, and as decoration for a corbel.
  • Husk Motif - The husk motif is a decorative element that has been used in furniture, silver, glass and ceramics decoration for centuries. The motif is typically based on the shape of the husk, or outer covering, of a nut or seed. It is often depicted as a series of overlapping, scalloped shells that create a textured, ornamental pattern.

    In furniture, the husk motif is commonly used in the design of chair and table legs, as well as in the decoration of cabinet doors and drawer fronts. The motif is carved into the wood or other material, creating a three-dimensional effect that adds depth and visual interest to the piece.

    In ceramics, the husk motif is used in a variety of ways, from the decoration of bowls and plates to the design of decorative tiles and other objects. The motif is often painted or carved into the surface of the clay, creating a relief pattern that adds texture and dimensionality to the piece.

    The husk motif has been used in many different historical and cultural contexts, from ancient Greece and Rome to 18th-century France and England. It has been adapted and modified over time, with variations including the acanthus leaf and the palmette motif.

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