Good pair gold anchor mark Chelsea dishes painted with a central panel of birds in flight within a deep gilded border, the deep everted rim with painted panels of fruit and berries on a gros bleu ground, restored, 29 cm wide, 24 cm deep. Gold anchor mark (2). Pieces were exhibited at the Bradford Corporation Loan Exhibition, Franco-British Exhibition 1908 and the Ceramic Society Chelsea Exhibition, 1952. (Each with fire cracks), length 29 cm each. Ex. Bonhams 2012.
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- Everted - An everted rim is an outwardly turning or flaring outwards rim, as seen the rims on jugs, vases, bowls and dishes.
- Gros Bleu - In porcelain decoration, "gros bleu" refers to a type of cobalt blue pigment that was used to create vivid blue designs on porcelain. This pigment was highly prized for its intense colour and durability, and it was often used in the decoration of high-end porcelain pieces. The use of "gros bleu" was popular in Europe during the 18th and 19th centuries, and it was valued for its ability to create deep, rich blue hues that could be used to complement other colors in intricate designs.
- Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.
For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.
Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
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