An ornate Anglo-Indian carved sandalwood casket, circa 1900,…
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An ornate Anglo-Indian carved sandalwood casket, circa 1900, the shaped rectangular casket with 'D' shaped ends, a stepped lid and base, and lion's paw feet, intricately relief carved with Arabesque and patterned, borders, panels of deity figures and surmounted by Vishnu on a lotus throne, accompanied by a caparisoned elephant, (one elephant deficient) lined to the interior, height 30 cm, length 42 cm, width 26 cm

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  • Arabesque - The arabesque pattern is an ornamental design that features flowing, curving lines and elaborate geometric shapes. It is inspired by the art and architecture of the Islamic world and was developed at Fontainebleu France in the mid 16th century. Its use was spread through published engravings, and it is characterized by its intricate and highly decorative nature. The arabesque pattern is created using a repetitive motif that is repeated and interwoven to create a cohesive design. It was used as a form of decoration in art, architecture, textiles, pottery, furniture and ceramics and it is often used to add a sense of grandeur and sophistication to a design. The arabesque pattern is admired for its beauty and complexity, and it continues to be used in a wide range of decorative contexts today.
  • Sandalwood - Sandalwood is a heavy, yellow coloured and very fine-grained timber, which has a fragrance which lasts for many decades, and acts as a deterent to moths and insects.

    In the British colonial era, sandalwood was imported into Britain from India, and the wood also used within India for the manufacture of Anglo-Indian furniture.

    Becasue it does not have a distinct grain pattern, sandalwood was not used for the exterior surfaces of furniture, but was put to use for drawer and box linings, where the aroma was noticeable one the object was opened. it was also used to manufacture small objects (treen).

    Nowadays sandalwood is commercially grown with Australia the largest producer. As well as producing timber, oil is extracted for use in the manufacture of perfumes.
  • Lion's Paw - The decorative lion's paw has been used in furniture, silver, and ceramics for centuries. It is a stylized representation of the paw of a lion, often depicted in a highly realistic or stylized form.

    In furniture design, lion's paws were popular in the neoclassical and Empire styles of the late 18th and early 19th centuries. They were often used as feet on tables, chairs, and other pieces of furniture. The lion's paw was a popular motif for furniture makers because it added a sense of grandeur and regalness to their pieces.

    In silverware design, the lion's paw was often used on the feet of tea and coffee pots, as well as on other pieces of silverware such as wine coolers and tureens. The lion's paw was often used in combination with other neoclassical motifs, such as acanthus leaves or grape clusters, to create a sense of grandeur and classical elegance.

    In ceramics, lion's paws were commonly used as feet on vases, urns, and other pottery items. The lion's paw was often depicted in relief or as a highly stylized form, and was sometimes used in combination with other decorative elements, such as garlands or swags.
  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.

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